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|a 822.3/3
|2 23
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|a UAMI
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|a Shakespeare and Donne :
|b generic hybrids and the cultural imaginary /
|c edited by Judith H. Anderson and Jennifer C. Vaught.
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|a First edition.
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|a New York :
|b Fordham University Press,
|c 2013
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|a 1 online resource (viii, 291 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a data file
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|a Includes bibliographical references and index.
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|t Introduction /
|r Judith H. Anderson and Jennifer C. Vaught --
|g Part I
|t Time, Love, Sex, and Death.
|t Sites of Death as Sites of Interaction in Donne and Shakespeare /
|r Matthias Bauer and Angelika Zirker ;
|t "Nothing like the Sun" : Transcending Time and Change in Donne's Love Lyrics and Shakespeare's Plays /
|r Catherine Gimelli Martin ;
|t "None Do Slacken, None Can Die" : Die Puns and Embodied Time in Donne and Shakespeare /
|r Jennifer Pacenza --
|g Part II
|t Moral, Public, and Spatial Imaginaries.
|t Donne, Shakespeare, and the Interrogative Conscience /
|r Mary Blackstone and Jeanne Shami ;
|t Mapping the Celestial in Shakespeare's Tempest and the Writings of John Donne /
|r Douglas Trevor --
|g Part III
|t Names, Puns, and More.
|t Inserting Me : Some Instances of Predication and the Privation of the Private Self in Shakespeare and Donne /
|r Marshall Grossman ;
|t Improper Nouns : A Response to Marshall Grossman /
|r David Lee Miller ;
|t Aspects, Physiognomy, and the Pun : A Reading of Sonnet 135 and "A Valediction : Of Weeping" /
|r Julian Lamb --
|g Part IV
|t Realms of Privacy and Imagination.
|t Fantasies of Private Language in "The Phoenix and Turtle" and "The Ecstasy" /
|r Anita Gilman Sherman ;
|t Working Imagination in the Early Modern Period : Donne's Secular and Religious Lyrics and Shakespeare's Hamlet, Macbeth, and Leontes /
|r Judith H. Anderson.
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|a Shakespeare and Donne are themselves hybrids who crossed generic and social boundaries and also shared a contemporary urban space and roots in the old religion. Centring on cross-fertilisation between these authors' writings, the chapters in this volume examine relationships that are broadly cultural, theoretical, and imaginative. They emphasise the intersection of physical or material dimensions of experience with nonphysical and transcendent ones, whether these are moral, intellectual, or religious. They also juxtapose lyric and sermons interactively with narrative and plays.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Donne, John,
|d 1572-1631
|x Criticism and interpretation.
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600 |
1 |
0 |
|a Donne, John,
|d 1572-1631
|x Literary style.
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1 |
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|a Shakespeare, William,
|d 1564-1616
|x Criticism and interpretation.
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1 |
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|a Shakespeare, William,
|d 1564-1616
|x Literary style.
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1 |
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|a Donne, John,
|d 1572-1631
|x Criticism and interpretation.
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600 |
1 |
1 |
|a Shakespeare, William,
|d 1564-1616
|x Criticism and interpretation.
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600 |
1 |
1 |
|a Donne, John,
|d 1572-1631
|x Literary style.
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600 |
1 |
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|a Shakespeare, William,
|d 1564-1616
|x Literary style.
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1 |
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|a Donne, John,
|d 1572-1631.
|2 fast
|0 (OCoLC)fst00038120
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1 |
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|a Shakespeare, William,
|d 1564-1616.
|2 fast
|0 (OCoLC)fst00029048
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|a Authors, English.
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|a Écrivains anglais.
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|a LITERARY CRITICISM
|x European
|x General.
|2 bisacsh
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|a Authors, English.
|2 fast
|0 (OCoLC)fst00821945
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|a Literary style.
|2 fast
|0 (OCoLC)fst01136323
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Anderson, Judith H.
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1 |
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|a Vaught, Jennifer C.
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|i Print version
|z 9780823251254
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt13x02h9
|z Texto completo
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