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|a 2012046835
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|a YDXCP
|b eng
|e rda
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|c YDXCP
|d OCLCO
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|d JSTOR
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|a 1167354408
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|a 1571137874
|q (electronic bk.)
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|a 9781571137876
|q (electronic bk.)
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|z 9781571134981
|q (hardcover ;
|q acid-free paper)
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|z 1571134980
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|q acid-free paper)
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|a AU@
|b 000053305778
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|b 15492813
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|a (OCoLC)840569846
|z (OCoLC)1167354408
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|a 22573/ctt2x7c53
|b JSTOR
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|a e-gx---
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|a PT134.E75
|b R47 2013
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|a LIT004170
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|a 830.9/353
|2 23
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|a UAMI
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|a Representing the good German in literature and culture after 1945 :
|b altruism and moral ambiguity /
|c edited by Pól Ó Dochartaigh and Christiane Schönfeld.
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|a Rochester, New York :
|b Camden House,
|c 2013.
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|c ©2013
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|a 1 online resource (viii, 261 pages) :
|b illustrations.
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|a text
|b txt
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|a computer
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|a online resource
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|a data file
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|a Filmography
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|a Studies in German literature, linguistics, and culture
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|a Includes bibliographical references, filmography and index.
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|a Includes filmography.
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|a Re-presenting the good German: philosophical reflections / Maeve Cook -- "Görings glorreichste Günstlinge": the portrayal of Wilhelm Furtwängler and Gustaf Gründgens as good Germans in the West German media since 1945 / Karina von Lindeiner-Stráský -- From Hitler's champion to German of the century: on the representation and reinvention of Max Schmeling / Jon Hughes -- Wilhelm Krützfeld and other "good" constables in police station 16 in Hackescher Markt, Berlin / Eoin Burke -- The "good German" between silence and artistic deconstruction of an inhumane world: Johannes Bobrowski's "Mäusefest" and "Der Tänze malige" / Sabine Egger -- Saints and sinners: the good German and her others in Heinrich Böll's Gruppenbild mit Dame / Matthias Uecker -- Being human: good Germans in postwar German film / Christiane Schönfeld -- "The banality of good"?: good Nazis in contemporary German film / Alexandra Ludewig -- Memories of good and evil in Sophie Scholl-die letzten Tage / Coman Hamilton -- Deconstructing the good German in French bestsellers published in the aftermath of the Second World War / Manuel Bragança -- Macbeth, not Henry V: Shakespearean allegory in the construction of Vercor's good German / Kevin de Ornellas -- A good Irish German: in praise of Hugo Hamilton's mother / Joachim Fischer -- Shades of gray: the beginnings of the postwar moral compromise in Joseph Kanon's The good German / Pól Ó Dochartaigh.
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|a Description based on print version record.
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|a In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Literature and morals
|z Germany.
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|a German literature
|y 20th century
|x History and criticism.
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|a Germans in literature.
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|a Germans in motion pictures.
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|a Identity (Psychology)
|z Germany.
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|a Germany
|x Civilization
|y 20th century
|x Philosophy.
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|a Littérature et morale
|z Allemagne.
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|a Littérature allemande
|y 20e siècle
|x Histoire et critique.
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|a Allemands dans la littérature.
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|a Identité (Psychologie)
|z Allemagne.
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|a Allemagne
|x Civilisation
|y 20e siècle
|x Philosophie.
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|a LITERARY CRITICISM
|x European
|x German.
|2 bisacsh
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|a Civilization
|x Philosophy
|2 fast
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|a German literature
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|a Germans in literature
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|a Germans in motion pictures
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|a Identity (Psychology)
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|a Literature and morals
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|a Germany
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|a 1900-1999
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|a Criticism, interpretation, etc.
|2 fast
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|a Ó Dochartaigh, Pól,
|e editor.
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|a Schönfeld, Christiane,
|e editor.
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|i Print version:
|z 9781571134981
|z 1571134980
|w (DLC) 2012046835
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|a Studies in German literature, linguistics, and culture.
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt31nh0x
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH28326659
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|a ebrary
|b EBRY
|n ebr10685279
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis28553522
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|a YBP Library Services
|b YANK
|n 10450587
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|a 92
|b IZTAP
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