Swans of the Kremlin : ballet and power in Soviet Russia /

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"A fascinating glimpse at the collision of art and politics during the first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major ballet troupes quietly but effectively resisted Soviet cultural hegemony during this period"--

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Ezrahi, Christina (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Pittsburgh : University of Pittsburgh Press, 2012.
Collection:Series in Russian and East European studies.
Sujets:
Ballet > Soviet Union > History.
Dance > Soviet Union > History.
Dance > Political aspects > Soviet Union.
Ballet > URSS > Histoire.
Danse > URSS > Histoire.
Danse > Aspect politique > URSS.
HISTORY > Europe > Russia & the Former Soviet Union.
PERFORMING ARTS > Dance > Classical & Ballet.
HISTORY > General.
PERFORMING ARTS > Theater > General.
Ballet.
Dance.
Dance > Political aspects.
Ballett
Tanz
Kulturpolitik
Soviet Union.
Sowjetunion
Rusland.
History.
Accès en ligne:Texto completo
Table des matières:
  • Survival: the Mariinsky and Bolshoi after the October revolution
  • Ideological pressure: classical ballet and Soviet cultural politics, 1923-1936
  • Art versus politics: the Kirov's artistic council, 1950s-1960s
  • Ballet battles: the Kirov ballet during Khrushchev's Thaw
  • Beyond the iron curtain: the Bolshoi ballet in London in 1956
  • Enfant terrible: Leonid Iakobson and The Bedbug, 1962
  • Choreography as resistance: Yuri Grigorovich's Spartacus, 1968.

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