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Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking /
Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
[2013]
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| Colección: | Film and culture.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Vaughan, Hunter, |e author. | |
| 245 | 1 | 0 | |a Where film meets philosophy : |b Godard, Resnais, and experiments in cinematic thinking / |c Hunter Vaughan. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2013] | |
| 264 | 4 | |c Ã2013 | |
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| 490 | 1 | |a Film and culture | |
| 504 | |a Includes bibliographical references (pages 229-238) and index. | ||
| 520 | |a Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry called?film-philosophy," he devises a systematic theory of film's philosophical function and its deconstruction of classic oppositional concepts, such as subject and object, real and imaginary, and interior and exterior. After merging Maurice Merleau-Ponty's theory of subject-object rel. | ||
| 505 | 0 | |a Introduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead. | |
| 588 | 0 | |a Print version record. | |
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| 600 | 1 | 0 | |a Godard, Jean-Luc, |d 1930-2022 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Resnais, Alain, |d 1922-2014 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Godard, Jean-Luc, |d 1930-2022 |2 fast |0 (OCoLC)fst00035647 |
| 600 | 1 | 7 | |a Resnais, Alain, |d 1922-2014 |2 fast |0 (OCoLC)fst00015596 |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
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| 776 | 0 | 8 | |i Print version: |a Vaughan, Hunter. |t Where film meets philosophy. |d New York : Columbia University Press, [2013] |z 9780231161329 |w (DLC) 2012039151 |w (OCoLC)794366581 |
| 830 | 0 | |a Film and culture. | |
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