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Recording culture : Powwow music and the Aboriginal recording industry on the Northern Plains /
Drawing on his ethnographic research at powwow grounds and in recording studios, Christopher A. Scales examines the ways that powwow drum groups have utilized recording technology in the late twentieth and early twenty-first centuries, the unique aesthetic principles of recorded powwow music, and th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham [N.C.] :
Duke University Press,
2012.
|
| Colección: | Refiguring American music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Scales, Christopher A. |q (Christopher Alton), |d 1966- | |
| 245 | 1 | 0 | |a Recording culture : |b Powwow music and the Aboriginal recording industry on the Northern Plains / |c Christopher A. Scales. |
| 260 | |a Durham [N.C.] : |b Duke University Press, |c 2012. | ||
| 300 | |a 1 online resource (xi, 338 pages, 10 unnumbered pages of plates : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Refiguring American music | |
| 505 | 0 | 0 | |g Part I: |t Northern Plains Powwow Culture -- |t Powwow Practices: Competition and the Discourse of Tradition -- |t Powwow Songs: Aesthetics and Performance Practice -- |t Drum Groups and Singers -- |g Part II: |t The Mediation of Powwows -- |t The Powwow Recording Industry in Western Canada: Race, Culture, and Commerce -- |t Powwow Music in the Studio: Mediation and Musical Fields -- |t Producing Powwow Music: The Aesthetics of Liveness -- |t Powwows "Live" and "Mediated" -- |t Coda: Recording Culture in the Twenty-First Century. |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Drawing on his ethnographic research at powwow grounds and in recording studios, Christopher A. Scales examines the ways that powwow drum groups have utilized recording technology in the late twentieth and early twenty-first centuries, the unique aesthetic principles of recorded powwow music, and the relationships between drum groups and the Native music labels and recording studios. | ||
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| 650 | 0 | |a Indians of North America |v Music. | |
| 650 | 0 | |a Sound recording industry |z United States. | |
| 650 | 0 | |a Sound recording industry |z Canada. | |
| 650 | 0 | |a Music and technology. | |
| 650 | 0 | |a Powwows. | |
| 650 | 6 | |a Peuples autochtones |z Amérique du Nord |v Musique. | |
| 650 | 6 | |a Musique et technologie. | |
| 650 | 6 | |a Powwows. | |
| 650 | 6 | |a Enregistrements sonores |x Industrie |z États-Unis. | |
| 650 | 6 | |a Enregistrements sonores |x Industrie |z Canada. | |
| 650 | 7 | |a MUSIC |x Ethnic. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Folk & Traditional. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x Native American Studies. |2 bisacsh | |
| 650 | 7 | |a Indians of North America |2 fast | |
| 650 | 7 | |a Music and technology |2 fast | |
| 650 | 7 | |a Powwows |2 fast | |
| 650 | 7 | |a Sound recording industry |2 fast | |
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| 830 | 0 | |a Refiguring American music. | |
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