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Performing the US Latina and Latino borderlands /
In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and th...
| Call Number: | Libro Electrónico |
|---|---|
| Other Authors: | , , |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Bloomington :
Indiana University Press,
2012.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García
- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en- )Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez
- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones
- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian
- The art of place: the work of Diane Gamboa / Karen Mary Davalos
- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutiérrez-Jones
- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García
- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú
- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González
- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio
- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Pérez
- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo México music / Peter J. García
- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández
- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero
- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta
- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López
- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson
- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito
- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada
- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama
- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado
- Mexican hip hop: male expressive culture / Pancho McFarland
- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson
- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Pérez
- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela.