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A Jesuit garden in Beijing and early modern Chinese culture /

In this volume, Hui Zou analyzes historical, architectural, visual, literary, and philosophical perspectives on the Western-styled garden that formed part of the great Yuanming Yuan complex in Beijing, constructed during the Qing dynasty. Designed and built in the late eighteenth century by Italian...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zou, Hui, 1967- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: West Lafayette, Ind. : Purdue University Press, ©2011.
Colección:Comparative cultural studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 2 |a A Jesuit garden in Beijing and early modern Chinese culture /  |c Hui Zou. 
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505 0 |a A theoretical and historical introduction to the Chinese garden -- The Chinese garden and the concept of the virtue of round brightness -- The Chinese garden and the concept of the vision of jing -- The Chinese gGarden and the Western linear perspective -- The Chinese garden and the concept of the line-method -- Conclusion -- Appendix 1: Kangxi's record of the Garden of Uninhibited Spring -- Appendix 2: Kangxi's record of the Mountain Hamlet for Summer Coolness -- Appendix 3: Qianlong's later record of the Mountain Hamlet for Summer Coolness -- Appendix 4: Qianlong's record of the Village of Ten-Thousand Springs -- Appendix 5: Qianlong's record of Kunming Lake by Longevity Hill -- Appendix 6: Qianlong's record of the Garden of Clear Ripples on Longevity Hill -- Appendix 7: Qianlong's record of the Best Spring of China on Jade-Spring Hill -- Appendix 8: Qianlong's record of the Garden of Tranquil Pleasure. 
520 |a In this volume, Hui Zou analyzes historical, architectural, visual, literary, and philosophical perspectives on the Western-styled garden that formed part of the great Yuanming Yuan complex in Beijing, constructed during the Qing dynasty. Designed and built in the late eighteenth century by Italian and French Jesuits, the garden described in this book was a wonderland of multistoried buildings, fountains, labyrinths, and geometrical hills. It even included an open-air theater. Through detailed examination of historical literature and representations, Zou analyzes the ways in which the Jesuits accommodated their design within the Chinese cultural context. He shows how an especially important element of their approach was the application of a linear perspective--the "line-method"--To create the jing, the Chinese concept of the bounded bright view of a garden scene. Hui Zou's book demonstrates how Jesuit metaphysics fused with Chinese cosmology and broadens our understanding of cultural and religious encounters in early Chinese modernity. It presents an intriguing reflection on the interaction between Western metaphysics and the poetical tradition of Chinese culture. The volume will be of interest to scholars and students in a variety of fields, including literature, philosophy, architecture, landscape and urban studies, and East-West comparative cultural studies. 
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