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Dissimulation and the Culture of Secrecy in Early Modern Europe.
"Larvatus prodeo," announced René Descartes at the beginning of the seventeenth century: "I come forward, masked." Deliberately disguising or silencing their most intimate thoughts and emotions, many early modern Europeans besides Descartes-princes, courtiers, aristocrats and co...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
CA :
University of California Press,
2009.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Dissimulation and the Culture of Secrecy in Early Modern Europe. |
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| 505 | 0 | |a Cover; Contents; Illustrations; Preface; Acknowledgments; 1. Not Empty Silence; 2. Taking One's Distance; 3. Confidence Games; 4. The Government of Designs; 5. The Writing on the Walls; Notes; Bibliography; Index. | |
| 520 | |a "Larvatus prodeo," announced René Descartes at the beginning of the seventeenth century: "I come forward, masked." Deliberately disguising or silencing their most intimate thoughts and emotions, many early modern Europeans besides Descartes-princes, courtiers, aristocrats and commoners alike-chose to practice the shadowy art of dissimulation. For men and women who could not risk revealing their inner lives to those around them, this art of incommunicativity was crucial, both personally and politically. Many writers and intellectuals sought to explain, expose, justify, or condemn the emergence | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 179-271) and index. | ||
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| 650 | 0 | |a Truthfulness and falsehood |x Social aspects |z Italy |x History. | |
| 650 | 0 | |a Interpersonal communication |z Italy |x History. | |
| 651 | 0 | |a Europe |x Social life and customs. | |
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| 650 | 0 | |a Interpersonal communication |z Europe |x History. | |
| 651 | 6 | |a Italie |x Mœurs et coutumes |y 16e siècle. | |
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| 650 | 6 | |a Communication interpersonnelle |z Europe |x Histoire. | |
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