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JSTOR_ocn738476068 |
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20231005004200.0 |
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110705s2010 enk ob 001 0 eng d |
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|z 2010561173
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|a N$T
|b eng
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|a GBC2J3114
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|a 020698623
|2 Uk
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|a 1303504843
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|a 9781846158087
|q (electronic bk.)
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|a 1846158087
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|z 9781843835363
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|z 1843835363
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|a UKMGB
|b 020698623
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|a (OCoLC)738476068
|z (OCoLC)1303504843
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|a 22573/ctt13xw7z3
|b JSTOR
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|a ML410.W19
|b E47 2010eb
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|a MUS
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|a 782.1092
|2 22
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|a UAMI
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|a Emslie, Barry.
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|a Richard Wagner and the centrality of love /
|c Barry Emslie.
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|a Woodbrige, Suffolk, UK ;
|a Rochester, NY :
|b Boydell Press,
|c 2010.
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|a 1 online resource (viii, 312 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a Includes bibliographical references and index.
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|a Introduction, or the uses of love -- Sensuality and spirituality in the early music dramas -- Music and the eternal feminine -- The ring of the Nibelung -- Love and death : Tristan und Isolde -- The mastersingers of Nuremberg -- Parsifal -- Contradictions and speculations.
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|a Print version record.
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|a Emslie's study of Wagner's creativity examines the centrality of love - and its obverse, hate - to the composer's world view.
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|a English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Wagner, Richard,
|d 1813-1883
|x Criticism and interpretation.
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|a Wagner, Richard,
|d 1813-1883.
|2 fast
|0 (OCoLC)fst00040723
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|a Love in music.
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|a Amour dans la musique.
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|a MUSIC
|x Genres & Styles
|x Opera.
|2 bisacsh
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|a MUSIC
|x Individual Composer & Musician.
|2 bisacsh
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|a Love in music.
|2 fast
|0 (OCoLC)fst01741521
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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0 |
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|i Print version:
|a Emslie, Barry.
|t Richard Wagner and the centrality of love.
|d Woodbrige, Suffolk, UK ; Rochester, NY : Boydell Press, 2010
|z 9781843835363
|w (DLC) 2010561173
|w (OCoLC)436029371
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856 |
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt14brs4z
|z Texto completo
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