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JSTOR_ocn735124041 |
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cr cnu---unuuu |
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110703s2010 ilua ob s001 0 eng d |
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|z 2009048716
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d OCLCF
|d OCLCO
|d OCLCQ
|d YDX
|d JSTOR
|d N$T
|d UKAHL
|d P@U
|d OCLCQ
|d INARC
|d OCLCO
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|a 1341260211
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|a 9780252053870
|q (electronic bk.)
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|a 0252053877
|q (electronic bk.)
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|z 9780252035166
|q (cloth ;
|q alk. paper)
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|z 025203516X
|q (cloth ;
|q alk. paper)
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|z 9780252077067
|q (pbk. ;
|q alk. paper)
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|z 0252077067
|q (pbk. ;
|q alk. paper)
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|a AU@
|b 000072784526
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|a (OCoLC)735124041
|z (OCoLC)1341260211
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|a dlr
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|a e-fr---
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|a ML3509.F7
|b J67 2010
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|a MUS
|x 000000
|2 bisacsh
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|a MUS
|x 025000
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|a HIS
|x 013000
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|a 781.660944
|2 22
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|a UAMI
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|a Jordan, Matthew F.
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|a Le jazz :
|b jazz and French cultural identity /
|c Matthew F. Jordan.
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|a Jazz and French cultural identity
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|a Urbana :
|b University of Illinois Press,
|c ©2010.
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|a 1 online resource (x, 298) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 247-291) and index.
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|a Vamp on the meaning of jazz : the cakewalk comes to town -- The first wave : jazz and cultural recovery -- Jazz and the modern public in the age of mechanical reproduction -- La revue nègre, ethnography, and cultural hybridity -- The jazz-hot years -- Zazou dans le Métro : occupation, swing, and the battle for la jeunesse -- Assimilation, absence, and the liberation of French discourse on jazz.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2011
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a "Countering the histories of jazz's celebratory reception in France, Jordan delves into the reluctance of many French citizens to accept jazz with the same enthusiasm as the liberal humanists and cosmopolitan crowds of the 1930s. Jordan argues that some listeners and critics perceived jazz as a threat to traditional French culture, and only as France modernized its identity did jazz become compatible with notions of Frenchness. Le Jazz speaks to the power of enlivened debate about popular culture, art, and expression as the means for constructing a vibrant cultural identity, revealing crucial keys to understanding how the French have come to see themselves in the postwar world."--From publisher description.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Jazz
|z France
|x History and criticism.
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|a MUSIC / General
|2 bisacsh
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|a Jazz
|2 fast
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|a France
|2 fast
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|a Musiketnologi.
|2 sao
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|a Musik och samhälle.
|2 sao
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|a Jazz
|x historia
|z Frankrike
|y 1918-1939 (mellankrigstiden)
|2 sao
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
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|i Print version:
|a Jordan, Matthew F.
|t Jazz.
|d Urbana : University of Illinois Press, ©2010
|z 9780252053870
|w (DLC) 2009048716
|w (OCoLC)460058062
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830 |
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|a Book collections on Project MUSE.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.5406/j.ctv2vt048d
|z Texto completo
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938 |
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|a Internet Archive
|b INAR
|n lejazzjazzfrench0000jord
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH40500232
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|a YBP Library Services
|b YANK
|n 303075499
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|a EBSCOhost
|b EBSC
|n 3300705
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938 |
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|a Project MUSE
|b MUSE
|n musev2_101843
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994 |
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|a 92
|b IZTAP
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