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Cowboys as cold warriors : the Western and U.S. history /
Though the United States emerged from World War II with superpower status and quickly entered a period of economic prosperity, the stresses and contradictions of the Cold War nevertheless cast a shadow over American life. The same period marked the heyday of the western film. Cowboys as Cold Warrior...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia :
Temple University Press,
2004.
|
| Colección: | Culture and the moving image.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Corkin, Stanley, |e author. | |
| 245 | 1 | 0 | |a Cowboys as cold warriors : |b the Western and U.S. history / |c Stanley Corkin. |
| 264 | 1 | |a Philadelphia : |b Temple University Press, |c 2004. | |
| 264 | 4 | |c ©2004 | |
| 300 | |a 1 online resource (viii, 273 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Culture and the moving image | |
| 520 | |a Though the United States emerged from World War II with superpower status and quickly entered a period of economic prosperity, the stresses and contradictions of the Cold War nevertheless cast a shadow over American life. The same period marked the heyday of the western film. Cowboys as Cold Warriors shows that this was no coincidence. It examines many of the significant westerns released between 1946 and 1962, analyzing how they responded to and influenced the cultural climate of the country. Author Stanley Corkin discusses a dozen films in detail, connecting them to each other and to numerou. | ||
| 504 | |a Includes bibliographical references (pages 257-266) and index. | ||
| 505 | 0 | |a Cowboys, free markets, Wyatt Earp, and Thomas Dunson : My darling Clementine and Red River -- Melodrama and the feminine means to empire : Duel in the sun, Pursued, and Fort Apache -- Cold War westerns and the law of the gun : Broken arrow and The gunfighter -- Korea, containment, and nationalism : High noon, Shane, and The searchers -- Modernization theory, political discord, and intervention : Gunfight at the OK Corral, The magnificent seven, and The Alamo -- Imperialist nostalgia and the road to Vietnam : Lonely are the brave, Ride the high country, and The man who shot Liberty Valance. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Western films |z United States |x History and criticism. | |
| 650 | 0 | |a Cold War in motion pictures. | |
| 650 | 6 | |a Westerns |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Guerre froide au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a Cold War (1945-1989) in motion pictures. |2 fast |0 (OCoLC)fst00866989 | |
| 650 | 7 | |a Western films. |2 fast |0 (OCoLC)fst01174006 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Western |g Film |2 gnd | |
| 650 | 7 | |a Metapher |2 gnd | |
| 650 | 7 | |a Internationale Politik |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 1 | 7 | |a Wild-westfilms. |2 gtt |
| 650 | 7 | |a Westerns |z États-Unis |y 1945-1960 |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Westerns |z États-Unis |y 1960-1990 |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Guerre froide |x Au cinéma. |2 ram | |
| 650 | 7 | |a Cinéma et politique |z États-Unis |y 1945-1990. |2 ram | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Corkin, Stanley. |t Cowboys as cold warriors. |d Philadelphia : Temple University Press, ©2004 |z 1592132537 |w (DLC) 2003067201 |w (OCoLC)53485352 |
| 830 | 0 | |a Culture and the moving image. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt14bt2p0 |z Texto completo |
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