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Print culture and the Blackwood tradition, 1805-1930 /

In late 1804, William Blackwood established a small publishing and bookselling firm in Edinburgh. Over the next 175 years, William Blackwood and Sons became one of the leading publishers in Britain, enjoying both local and international success. Early on it championed the works of Scottish writers,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Finkelstein, David, 1964- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, 2006.
Colección:Studies in book and print culture.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Print culture and the Blackwood tradition, 1805-1930 /  |c edited by David Finkelstein. 
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490 1 |a Studies in Book and Print Culture 
504 |a Includes bibliographical references and index. 
520 0 |a In late 1804, William Blackwood established a small publishing and bookselling firm in Edinburgh. Over the next 175 years, William Blackwood and Sons became one of the leading publishers in Britain, enjoying both local and international success. Early on it championed the works of Scottish writers, and later gained acclaim as the publisher of G.W. Steevens, George Eliot, Charles Whibley, and Joseph Conrad. Its political influence was also widespread; in 1817 it founded the monthly Blackwood's Magazine, which featured literary, critical, political, and journalistic commentary and analysis, and was a powerful force in British conservative politics. Two hundred years after the founding of this significant influence on British literary, political, and social history, this collection of essays reappraises the place of the Blackwood firm and its magazine in literary and print culture history. Editor David Finkelstein brings together an array of eminent scholars and critics from the US, Canada, Scandinavia, and the UK to examine Blackwoods from a variety of interdisciplinary perspectives. The resulting collection covers an impressive range of subject areas, including Romantic and Victorian literature, print culture, media history, and New Journalism. 
505 0 |a Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- SCOTTISH BEGINNINGS -- William Blackwood and the Dynamics of Success -- â€?The mappâ€?d out skulls of Scotiaâ€?: Blackwoodâ€?s and the Scottish Phrenological Controversy -- Blackwoodâ€?s and Romantic Nationalism -- Blackwoodâ€?s Subversive Scottishness -- CONSOLIDATING REPUTATIONS -- â€?On behalf of the Rightâ€?: Archibald Alison, Political Journalism, and Blackwoodâ€?s Conservative Response to Reform, 1830â€?1870 -- Editing Blackwoodâ€?s; or, What Do Editors Do? 
505 8 |a Maga, the Shilling Monthlies, and the New JournalismPRESERVING STATUS -- At the Court of Blackwoodâ€?s: In the Kampong of Hugh Clifford -- â€?A sideways ending to it allâ€?: G.W. Steevens, Blackwood, and the Daily Mail -- The Muse of Blackwoodâ€?s: Charles Whibley and Literary Criticism in the World -- Appendix -- Bibliography -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y 
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610 2 0 |a William Blackwood and Sons  |x History. 
610 2 7 |a William Blackwood and Sons  |2 fast 
650 0 |a Publishers and publishing  |z Great Britain  |x History. 
651 0 |a Great Britain  |x Intellectual life. 
650 0 |a Nationalism  |z Scotland. 
651 6 |a Grande-Bretagne  |x Vie intellectuelle. 
650 6 |a Nationalisme  |z Écosse. 
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