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The philosophy of Steven Soderbergh /
Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the P...
| Call Number: | Libro Electrónico |
|---|---|
| Other Authors: | , |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Lexington, Ky. :
University Press of Kentucky,
©2011.
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| Series: | Philosophy of popular culture.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Introduction / R. Barton Palmer and Steven M. Sanders
- Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodríguez-Ruiz
- Love, truth, and the medium in Sex, lies, and videotape / Yannis Tzioumakis
- Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance
- Temporality, intertextuality, genre. Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer
- Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King
- Intertextuality, broken mirrors, and The good German / Andrew deWaard
- Remade by Steven Soderbergh / Aaron Baker
- Self-reflexivity, self-centeredness, autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer
- Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson
- Schizopolis as philosophical autobiography / Drew Morton
- Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders
- Schizoanalyzing the informant / David Sterritt
- Competing modes of capital in Ocean's eleven / R. Colin Tait
- An ethical analysis of Traffic / Shai Biderman and William J. Devlin
- Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland
- Solaris, cinema, and Simulacra / Michael Valdez Moses.