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110214s2009 enkafg ob 001 0 eng d |
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|a UAMI
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|a Lambert, Sterling,
|d 1968-
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|a Re-reading poetry :
|b Schubert's multiple settings of Goethe /
|c Sterling Lambert.
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|a Rereading poetry
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|a Woodbridge ;
|a Rochester, NY :
|b Boydell Press,
|c 2009.
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|a 1 online resource (ix, 274 pages, 4 unnumbered pages of plates) :
|b illustrations (chiefly color), music
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|a text
|b txt
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|a computer
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|a online resource
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|a Includes bibliographical references (pages 261-267) and index.
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|a Introduction -- Schubert the singer -- The sea of eternity -- The river of time -- The shape of the moon -- The aesthetics of genre ; Resetting, recycling : Schubert's Wilhelm Meister -- Recyling [i.e. Recycling] the harper -- Recycling Mignon -- One song to the tune of another -- Conclusion.
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|a One of the most important aspects of Franz Schubert's song production has remained relatively neglected: the many occasions on which he set poetry to music more than once. This practice of returning to poems, and responding to them anew, is unusual and suggests a greater degree of literary sensitivity on the part of Schubert than is often ascribed to him. In contrast to his similarly frequent tendency to produce revised versions of songs, Schubert's resetting of poetry results in completely new songs. The presence of residues of earlier settings in later ones prompts consideration of the degree to which resettings are to some extent 'radical revisions' of their predecessors. It also raises questions as to what those residues might signify about how and why Schubert reset poetry. Nowhere are such issues more fascinatingly and comprehensively illustrated than in Schubert's multiple settings of the poet who was more important to him than any other: Johann Wolfgang von Goethe. In recent years, a renewed interest in the relationship between Goethe and Schubert has demonstrated that the two men had more in common than has historically been supposed. A specific bond between them lies in Goethe's recognition that his poems could be read in more than one way. Re-reading Poetry uncovers an important shared outlook between composer and poet.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Schubert, Franz,
|d 1797-1828
|x Criticism and interpretation.
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|a Goethe, Johann Wolfgang von,
|d 1749-1832
|x Musical settings
|x History and criticism.
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|a Goethe, Johann Wolfgang von,
|d 1749-1832
|2 fast
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|a Schubert, Franz,
|d 1797-1828
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|a Goethe, Johann Wolfgang von.
|2 swd
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|a Schubert, Franz.
|2 swd
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|a MUSIC
|x Individual Composer & Musician.
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|a MUSIC
|x History & Criticism.
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|a Musical settings
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|a Vertonung
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|a Criticism, interpretation, etc.
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|i Print version:
|a Lambert, Sterling, 1968-
|t Re-reading poetry.
|d Woodbridge ; Rochester, NY : Boydell Press, 2009
|z 9781843834748
|w (DLC) 2009281930
|w (OCoLC)432408037
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81h99
|z Texto completo
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