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100809s2001 ncua ob 001 0 eng d |
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|a OCLCE
|b eng
|e pn
|c OCLCE
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|d OCLCQ
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|a 220950046
|a 841913308
|a 850215976
|a 1055307559
|a 1058513023
|a 1077344147
|a 1097111280
|a 1156352275
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|a 1303518620
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|a 9780822383048
|q (electronic bk.)
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|a 0822383047
|q (electronic bk.)
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|a 128306300X
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|a 9781283063005
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|a 9786613063007
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|a 6613063002
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|z 0822325772
|q (cloth ;
|q alk. paper)
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|z 9780822325772
|q (cloth ;
|q alk. paper)
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|z 0822325918
|q (pbk. ;
|q alk. paper)
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|z 9780822325918
|q (pbk. ;
|q alk. paper)
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|a 10.1515/9780822383048
|2 doi
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|a AU@
|b 000055742039
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|a (OCoLC)654232031
|z (OCoLC)220950046
|z (OCoLC)841913308
|z (OCoLC)850215976
|z (OCoLC)1055307559
|z (OCoLC)1058513023
|z (OCoLC)1077344147
|z (OCoLC)1097111280
|z (OCoLC)1156352275
|z (OCoLC)1170367452
|z (OCoLC)1172428015
|z (OCoLC)1266911383
|z (OCoLC)1303518620
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|a 22573/ctv11qm7qz
|b JSTOR
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|a n-us---
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|a ML3556
|b .A53 2001
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|a MUS
|x 015000
|2 bisacsh
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|a MUS
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|2 bisacsh
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|a MUS
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|a 780/.89/9607307471
|2 21
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|a HU 1728
|2 rvk
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|a LS 48050
|2 rvk
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|a 9,2
|2 ssgn
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|a UAMI
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|a Anderson, Paul Allen,
|e author.
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|a Deep river :
|b music and memory in Harlem Renaissance thought /
|c Paul Allen Anderson.
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|a Durham :
|b Duke University Press,
|c 2001.
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|a 1 online resource (x, 335 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a New Americanists
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|a Includes bibliographical references (pages 311-323) and index.
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|a "Unvoiced longings": Du Bois and the "sorrow songs" -- Swan songs and art songs: the spirituals and the "new Negro" in the 1920s -- "The twilight of aestheticism": Locke on cosmopolitanism and musical evolution -- "Beneath the seeming informality": Hughes, Hurston, and the politics of form -- Saving jazz from its friends: the predicament of jazz criticism in the swing era.
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|a Print version record.
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|a A critical and historical study of the debate over early African-American music that draws on the views of W.E.B. Du Bois, Alain Locke, Langston Hughes, Zora Neal Hurston, and others to show competing notions of how this music relates to cultural inherita.
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|a English.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a African Americans
|z New York (State)
|z New York
|x Music
|x History and criticism.
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|a Harlem (New York, N.Y.)
|x Intellectual life
|y 20th century.
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|a Harlem Renaissance.
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|a Harlem Renaissance.
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|a Harlem Renaissance.
|2 aat
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|a MUSIC
|x Ethnomusicology.
|2 bisacsh
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650 |
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|a MUSIC
|x Genres & Styles
|x Jazz.
|2 bisacsh
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|a African Americans
|x Music
|2 fast
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|a Harlem Renaissance
|2 fast
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|a Intellectual life
|2 fast
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|a New York (State)
|z New York
|2 fast
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|a New York (State)
|z New York
|z Harlem
|2 fast
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|a Musik
|g Motiv
|2 gnd
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|a Erinnerung
|g Motiv
|2 gnd
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|a Afroamerikanische Musik
|2 gnd
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|a Harlem renaissance
|2 gnd
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|a New York- Harlem
|2 gnd
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|a 1900-1999
|2 fast
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655 |
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|a Music
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Music.
|2 lcgft
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|a Musique.
|2 rvmgf
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0 |
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|i Print version:
|a Anderson, Paul Allen.
|t Deep river.
|d Durham : Duke University Press, 2001
|z 0822325772
|w (DLC) 2001018750
|w (OCoLC)45756247
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830 |
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0 |
|a New Americanists.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11smqz5
|z Texto completo
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938 |
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|a Digitalia Publishing
|b DGIT
|n DIGDUKEUP1989
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938 |
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|a De Gruyter
|b DEGR
|n 9780822383048
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL1167678
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938 |
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|a ebrary
|b EBRY
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|n 599813
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|a YBP Library Services
|b YANK
|n 2956521
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|a 92
|b IZTAP
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