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1 |
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|a Corber, Robert J.,
|d 1958-
|e author.
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1 |
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|a Homosexuality in cold war America :
|b resistance and the crisis of masculinity /
|c Robert J. Corber.
|
264 |
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1 |
|a Durham :
|b Duke University Press,
|c 1997.
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300 |
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|a 1 online resource (x, 240 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a New Americanists
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|a Includes bibliographical references (pages 199-236) and index.
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|a Introduction: I'm Really a Queen Myself -- pt. 1. Film Noir and the Political Economy of Cold War Masculinity. 1. Masculinizing the American Dream: Discourses of Resistance in the Cold War Era. 2. Resisting the Lure of the Commodity: Laura and the Spectacle of the Gay Male Body. 3. "Real American History": Crossfire and the Increasing Invisibility of Gay Men in the Cold War Era -- pt. 2. Gay Male Cultural Production in the Cold War Era. 4. Tennessee Williams and the Politics of the Closet. 5. Gore Vidal and the Erotics of Masculinity. 6. A Negative Relation to One's Culture: James Baldwin and the Homophobic Politics of Form -- Conclusion: The Work of Transformation.
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|a Print version record.
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|a Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the 1950s resisted pressures to remain in the closet. Robert J. Corber argues that a form of gay male identity emerged in the 1950s that simultaneously drew on and transcended left-wing opposition to the Cold War cultural and political consensus. Combining readings of novels, plays, and films of the period with historical research into the national security state, the growth of the suburbs, and postwar consumer culture, Corber examines how gay men resisted the "organization man" model of masculinity that rose to dominance in the wake of World War II. By exploring the representation of gay men in film noir, Corber suggests that even as this Hollywood genre reinforced homophobic stereotypes, it legitimized the gay male "gaze." He emphasizes how film noir’s introduction of homosexual characters countered the national "project" to render gay men invisible, and marked a deep subversion of the Cold War mentality. Corber then considers the work of gay male writers Tennessee Williams, Gore Vidal, and James Baldwin, demonstrating how these authors declined to represent homosexuality as a discrete subculture and instead promoted a model of political solidarity rooted in the shared experience of oppression. Homosexuality in Cold War America reveals that the ideological critique of the dominant culture made by gay male authors of the 1950s laid the foundation for the gay liberation movement of the following decade.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
546 |
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|a English.
|
590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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610 |
2 |
7 |
|a Umschulungswerkstätten für Siedler und Auswanderer
|g Bitterfeld
|2 gnd
|
650 |
|
0 |
|a Gays in popular culture
|z United States.
|
650 |
|
0 |
|a Masculinity in popular culture
|z United States.
|
650 |
|
0 |
|a Homosexuality in motion pictures.
|
650 |
|
0 |
|a Film noir
|z United States
|x History and criticism.
|
650 |
|
0 |
|a Gay men's writings, American
|x History and criticism.
|
650 |
|
0 |
|a Masculinity in literature.
|
650 |
|
0 |
|a Homosexuality in literature.
|
650 |
|
2 |
|a Homosexuality
|x history
|
650 |
|
2 |
|a Men
|x history
|
650 |
|
6 |
|a Homosexuels dans la culture populaire
|z États-Unis.
|
650 |
|
6 |
|a Masculinité dans la culture populaire
|z États-Unis.
|
650 |
|
6 |
|a Homosexualité au cinéma
|z États-Unis.
|
650 |
|
6 |
|a Masculinité dans la littérature.
|
650 |
|
6 |
|a Homosexualité au cinéma.
|
650 |
|
6 |
|a Films noirs
|z États-Unis
|x Histoire et critique.
|
650 |
|
6 |
|a Écrits d'homosexuels masculins américains
|x Histoire et critique.
|
650 |
|
6 |
|a Homosexualité dans la littérature.
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Gay Studies.
|2 bisacsh
|
650 |
|
7 |
|a SOCIAL SCIENCE / Gay Studies
|2 bisacsh
|
650 |
|
7 |
|a Film noir.
|2 fast
|0 (OCoLC)fst00924273
|
650 |
|
7 |
|a Gay men's writings, American.
|2 fast
|0 (OCoLC)fst00939170
|
650 |
|
7 |
|a Gays in popular culture.
|2 fast
|0 (OCoLC)fst00939311
|
650 |
|
7 |
|a Homosexuality in literature.
|2 fast
|0 (OCoLC)fst00959825
|
650 |
|
7 |
|a Homosexuality in motion pictures.
|2 fast
|0 (OCoLC)fst00959829
|
650 |
|
7 |
|a Masculinity in literature.
|2 fast
|0 (OCoLC)fst01011040
|
650 |
|
7 |
|a Masculinity in popular culture.
|2 fast
|0 (OCoLC)fst01011042
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
650 |
|
7 |
|a Homosexualität
|2 gnd
|
650 |
|
7 |
|a Kultur
|2 gnd
|
650 |
|
7 |
|a Männlichkeit
|2 gnd
|
651 |
|
7 |
|a USA
|2 gnd
|
650 |
1 |
7 |
|a Homoseksualiteit.
|2 gtt
|
650 |
1 |
7 |
|a Populaire cultuur.
|2 gtt
|
650 |
|
7 |
|a Masculinité (psychologie)
|z États-Unis.
|2 ram
|
650 |
|
7 |
|a Homosexualité et littérature
|z États-Unis
|y 20e siècle.
|2 ram
|
650 |
|
7 |
|a Littérature américaine
|y 20e siècle
|x Thèmes, motifs.
|2 ram
|
650 |
|
7 |
|a Homosexualité
|x Au cinéma.
|2 ram
|
650 |
|
7 |
|a Cinéma
|z États-Unis
|x Thèmes, motifs.
|2 ram
|
650 |
0 |
7 |
|a Geschichte 1950-1980.
|2 swd
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
776 |
0 |
8 |
|i Print version:
|a Corber, Robert J., 1958-
|t Homosexuality in cold war America.
|d Durham : Duke University Press, 1997
|w (DLC) 96053408
|w (OCoLC)36326906
|
830 |
|
0 |
|a New Americanists.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1198v3w
|z Texto completo
|
938 |
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994 |
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