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|a OCLCE
|b eng
|e pn
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|d OCLCF
|d OCLCO
|d OCLCQ
|d JSTOR
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|a GBA0W6243
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|a GBC124602
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|a 020078587
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|a 606344162
|a 1147292453
|a 1175629347
|a 1229771524
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|a 1289798314
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|a 9781474471480
|q (electronic bk.)
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|a 147447148X
|q (electronic bk.)
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|z 0748611991
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|z 9780748611997
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|a AU@
|b 000066971540
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|a UKMGB
|b 020078587
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|a (OCoLC)648270621
|z (OCoLC)606344162
|z (OCoLC)1147292453
|z (OCoLC)1175629347
|z (OCoLC)1229771524
|z (OCoLC)1244210222
|z (OCoLC)1289798314
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|a 22573/ctvxcfscq
|b JSTOR
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|a dlr
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|a PN1997
|b .O767 2000
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|a 24.31
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|a UAMI
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|a Orr, John,
|d 1943-2010.
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|a The art and politics of film /
|c John Orr.
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|a Edinburgh :
|b Edinburgh University Press,
|c ©2000.
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|a 1 online resource (ix, 198 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references (pages 189-192) and index.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a This is the final part of a critical trilogy that explores cinema in the latter half of the twentieth century. It fuses analysis of objective form with a subsequent critique of subjective form, and reassesses the close ties of the aesthetic and the political right up to today.
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|a Foreword: The Uncertainty Principle -- 1. The Rise of Hyper-Modern Film -- 2. Hollywood and the Politics of Virtual Spectacle -- 3. The Cold War and the Cinema of Wonder -- 4. Conspiracy Theory: JFK and the Nightmare on Elm Street Revisited -- 5. The Art of Identity: Greenaway, Jarman, Jordan -- 6. The Revival of the Cinematic City -- 7. French or American? The Time-Image in the 1990s.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Motion pictures.
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|a Motion pictures
|x Aesthetics.
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|a Politics in motion pictures.
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|a Motion pictures
|x History
|y 20th century.
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|a Motion pictures
|x Social aspects.
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|a Cinéma
|x Esthétique.
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|a Politique au cinéma.
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|a Cinéma
|x Aspect politique.
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|a Cinéma
|x Histoire
|y 20e siècle.
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|a Cinéma
|x Aspect social.
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Politics in motion pictures.
|2 fast
|0 (OCoLC)fst01896085
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|a Motion pictures
|x Social aspects.
|2 fast
|0 (OCoLC)fst01027384
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|a Motion pictures
|x Aesthetics.
|2 fast
|0 (OCoLC)fst01027288
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|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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|a Film
|2 gnd
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|a Filmkunst.
|2 gtt
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|a Politieke aspecten.
|2 gtt
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|a Sociale aspecten.
|2 gtt
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|a Film
|y Geschichte 1960-2000.
|2 idsbb
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|a Avantgardistischer Film
|y Geschichte 1960-2000.
|2 idsbb
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|a 1900-1999
|2 fast
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Orr, John, 1943-
|t Art and politics of film.
|d Edinburgh : Edinburgh University Press, ©2000
|w (DLC) 2001369174
|w (OCoLC)44786315
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|a Online Access with DDA: YBP Pick and Choose.
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctvxcrr2n
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
|n EBL6141723
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938 |
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|a Internet Archive
|b INAR
|n artpoliticsoffil0000orrj
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|a YBP Library Services
|b YANK
|n 16702029
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|a Askews and Holts Library Services
|b ASKH
|n AH37343659
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|a 92
|b IZTAP
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