Reading the allegorical intertext : Chaucer, Spenser, Shakespeare, Milton /

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Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Anderson, Judith H.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2008.
Edición:1st ed.
Colección:UPCC book collections on Project MUSE.
Temas:
Spenser, Edmund, > 1552?-1599. > Faerie queene.
Chaucer, Geoffrey, > -1400. > Canterbury tales.
Shakespeare, William, > 1564-1616. > King Lear.
Milton, John, > 1608-1674 > Criticism and interpretation.
Chaucer, Geoffrey, > d. 1400. > Canterbury tales.
Milton, John, > 1608-1674
Canterbury tales (Chaucer, Geoffrey)
Faerie queene (Spenser, Edmund)
King Lear (Shakespeare, William)
English literature > History and criticism > Theory, etc.
Intertextuality.
Symbolism in literature.
Influence (Literary, artistic, etc.)
Intertextualité.
Symbolisme dans la littérature.
Influence littéraire, artistique, etc.
LITERARY CRITICISM > Semiotics & Theory.
English literature > Theory, etc.
Intertextuality
Symbolism in literature
Electronic books.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Reading the Allegorical Intertext
  • Part 1: Allegorical Reflections of The Canterbury Tales In The Faerie Queene. Chaucer's and Spenser's Reflexive Narrators
  • What Comes After Chaucer's But in The Faerie Queene
  • "Pricking on the plaine": Spenser's Intertextual Beginnings and Endings
  • Allegory, Irony, Despair: Chaucer's Pardoner's and Franklin's Tales and Spenser's Faerie Queene, Books I and III
  • Eumnestes' "immortall scrine": Spenser's Archive
  • Spenser's Use of Chaucer's Melibee: Allegory, Narrative, History
  • Part 2: Agency, Allegory, and History within the Spenserian Intertext. Spenser's Muiopotmos and Chaucer's Nun's Priest's Tale
  • Arthur and Argante: Parodying the Ideal Vision
  • Chaucer's Parliament of Fowls and Refractions of a Veiled Venus in the Faerie Queene
  • The Antiquities of Fairyland and Ireland
  • Better a mischief than an inconvenience: "The saiyng self" in Spenser's View of the Present State of Ireland
  • Part 3: Spenserian Allegory in the Intertexts of Shakespeare and Milton. The Conspiracy of Realism: Impasse and Vision in The Faerie Queene and Shakespeare's King Lear
  • Venus and Adonis: Spenser, Shakespeare, and the Forms of Desire
  • Flowers and Boars: Surmounting Sexual Binarism in Spenser's Garden of Adonis
  • Androcentrism and Acrasian Fantasies in the Bower of Bliss
  • Beyond Binarism: Eros/Death and Venus/Mars in Antony and Cleopatra and The Faerie Queene
  • Patience and Passion in Shakespeare and Milton
  • "Real or Allegoric" in Herbert and Milton: Thinking through Difference
  • Spenser and Milton: The Mind's Allegorical Place.
  • Prior Publication; Introduction: Reading the Allegorical Intertext; PART 1: ALLEGORICAL REFLECTIONS OF THE CANTERBURY TALES IN THE FAERIE QUEENE; PART 2: AGENCY, ALLEGORY, AND HISTORY WITHIN THE SPENSERIAN INTERTEXT; PART 3: SPENSERIAN ALLEGORY IN THE INTERTEXTS OF SHAKESPEARE AND MILTON; Notes; Index.

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