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Reading the allegorical intertext : Chaucer, Spenser, Shakespeare, Milton /

Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Anderson, Judith H.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2008.
Edición:1st ed.
Colección:UPCC book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 0 |t Introduction: Reading the Allegorical Intertext --  |g Part 1:  |t Allegorical Reflections of The Canterbury Tales In The Faerie Queene.  |t Chaucer's and Spenser's Reflexive Narrators --  |t What Comes After Chaucer's But in The Faerie Queene --  |t "Pricking on the plaine": Spenser's Intertextual Beginnings and Endings --  |t Allegory, Irony, Despair: Chaucer's Pardoner's and Franklin's Tales and Spenser's Faerie Queene, Books I and III --  |t Eumnestes' "immortall scrine": Spenser's Archive --  |t Spenser's Use of Chaucer's Melibee: Allegory, Narrative, History --  |g Part 2:  |t Agency, Allegory, and History within the Spenserian Intertext.  |t Spenser's Muiopotmos and Chaucer's Nun's Priest's Tale --  |t Arthur and Argante: Parodying the Ideal Vision --  |t Chaucer's Parliament of Fowls and Refractions of a Veiled Venus in the Faerie Queene --  |t The Antiquities of Fairyland and Ireland --  |t Better a mischief than an inconvenience: "The saiyng self" in Spenser's View of the Present State of Ireland --  |g Part 3:  |t Spenserian Allegory in the Intertexts of Shakespeare and Milton.  |t The Conspiracy of Realism: Impasse and Vision in The Faerie Queene and Shakespeare's King Lear --  |t Venus and Adonis: Spenser, Shakespeare, and the Forms of Desire --  |t Flowers and Boars: Surmounting Sexual Binarism in Spenser's Garden of Adonis --  |t Androcentrism and Acrasian Fantasies in the Bower of Bliss --  |t Beyond Binarism: Eros/Death and Venus/Mars in Antony and Cleopatra and The Faerie Queene --  |t Patience and Passion in Shakespeare and Milton --  |t "Real or Allegoric" in Herbert and Milton: Thinking through Difference --  |t Spenser and Milton: The Mind's Allegorical Place. 
505 0 |a Prior Publication; Introduction: Reading the Allegorical Intertext; PART 1: ALLEGORICAL REFLECTIONS OF THE CANTERBURY TALES IN THE FAERIE QUEENE; PART 2: AGENCY, ALLEGORY, AND HISTORY WITHIN THE SPENSERIAN INTERTEXT; PART 3: SPENSERIAN ALLEGORY IN THE INTERTEXTS OF SHAKESPEARE AND MILTON; Notes; Index. 
520 |a Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson?s intertext is allegorical because Spenser?s Faerie Queene is pivotal to her study and because allegory, und. 
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