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Euripides and the poetics of sorrow : art, gender, and commemoration in Alcestis, Hippolytus, and Hecuba /

Where is the pleasure in tragedy? This question, how suffering and sorrow become the stuff of aesthetic delight, is at the center of Charles Segal's new book, which collects and expands his recent explorations of Euripides' art. Alcestis, Hippolytus, and Hecuba, the three early plays inter...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Segal, Charles, 1936-2002 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham, N.C. : Duke University Press, 1993.
Colección:e-Duke books scholarly collection.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Euripides and the poetics of sorrow :  |b art, gender, and commemoration in Alcestis, Hippolytus, and Hecuba /  |c Charles Segal. 
260 |a Durham, N.C. :  |b Duke University Press,  |c 1993. 
300 |a 1 online resource (xiii, 317 pages) :  |b illustrations 
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533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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505 0 |a Euripides' Muse of Sorrows and the Artifice of Tragic Pleasure -- Alcestis: Cold Delight: Art, Death, and Transgression of Genre. Female Death and Male Tears. Admetus' Divided House: Spatial Dichotomies and Gender Roles -- Hippolytus: Language, Signs, and Gender. Theater, Ritual, and Commemoration. Confusion and Concealment: Vision, Hope, and Tragic Knowledge -- Hecuba: Golden Armor and Servile Robes: Heroism and Metamorphosis. Violence and the Other: Greek, Female, and Barbarian Law and Universals. The Problem of the Gods -- Conclusion: Euripides' Songs of Sorrow. 
588 0 |a Print version record. 
520 |a Where is the pleasure in tragedy? This question, how suffering and sorrow become the stuff of aesthetic delight, is at the center of Charles Segal's new book, which collects and expands his recent explorations of Euripides' art. Alcestis, Hippolytus, and Hecuba, the three early plays interpreted here, are linked by common themes of violence, death, lamentation and mourning, and by their implicit definitions of male and female roles. Segal shows how these plays draw on ancient traditions of poetic and ritual commemoration, particularly epic song, and at the same time refashion these traditions. 
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776 0 8 |i Print version:  |a Segal, Charles, 1936-2002.  |t Euripides and the poetics of sorrow.  |d Durham, N.C. : Duke University Press, 1993  |w (DLC) 93015565  |w (OCoLC)27934779 
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