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Thomas Tallis and his music in Victorian England /

In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cole, Suzanne, 1962-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge, UK ; Rochester, NY : Boydell Press, 2008.
Colección:Music in Britain, 1600-1900.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Thomas Tallis and his music in Victorian England /  |c Suzanne Cole. 
260 |a Woodbridge, UK ;  |a Rochester, NY :  |b Boydell Press,  |c 2008. 
300 |a 1 online resource (ix, 222 pages) :  |b illustrations, music. 
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490 1 |a Music in Britain, 1600-1900 
504 |a Includes bibliographical references (pages 196-213) and index. 
505 0 |a "It is here that we must look for Tallis" : Tallis's music -- "Such a man as Tallis" : Tallis the man -- "This mistake of a barbarous age" : Spem in alium -- "A solid rock of harmony" : the Preces and Responses -- "The Englishman's harmony" : Tallis and national identity. 
520 |a In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. 
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776 0 8 |i Print version:  |a Cole, Suzanne, 1962-  |t Thomas Tallis and his music in Victorian England.  |d Woodbridge, UK ; Rochester, NY : Boydell Press, 2008  |z 9781843833802  |w (DLC) 2008276810  |w (OCoLC)220001708 
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