|
|
|
|
LEADER |
00000cam a2200000Ia 4500 |
001 |
JSTOR_ocn646841249 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
100712s2008 enkag ob 001 0deng d |
040 |
|
|
|a N$T
|b eng
|e pn
|c N$T
|d YDXCP
|d IDEBK
|d OCLCQ
|d EBLCP
|d OCLCA
|d JSTOR
|d CAMBR
|d OCLCQ
|d IOG
|d EZ9
|d OCLCF
|d TXC
|d LVT
|d YOU
|d OCLCQ
|d UKAHL
|d OCLCO
|d UKMGB
|d OCLCQ
|
015 |
|
|
|a GBC2J3074
|2 bnb
|
016 |
7 |
|
|a 020698583
|2 Uk
|
020 |
|
|
|a 9781846156786
|q (electronic bk.)
|
020 |
|
|
|a 1846156785
|q (electronic bk.)
|
029 |
1 |
|
|a AU@
|b 000055739329
|
029 |
1 |
|
|a UKMGB
|b 020698583
|
035 |
|
|
|a (OCoLC)646841249
|
037 |
|
|
|a 22573/ctt1ztj0
|b JSTOR
|
043 |
|
|
|a e-uk-en
|
050 |
|
4 |
|a ML2931
|b .C65 2008eb
|
072 |
|
7 |
|a MUS
|x 048010
|2 bisacsh
|
072 |
|
7 |
|a MUS
|x 009000
|2 bisacsh
|
072 |
|
7 |
|a MUS020000
|2 bisacsh
|
072 |
|
7 |
|a AVGC2
|2 bicssc
|
072 |
|
7 |
|a JFCX
|2 bicssc
|
082 |
0 |
4 |
|a 781.71/30092
|2 22
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Cole, Suzanne,
|d 1962-
|
245 |
1 |
0 |
|a Thomas Tallis and his music in Victorian England /
|c Suzanne Cole.
|
260 |
|
|
|a Woodbridge, UK ;
|a Rochester, NY :
|b Boydell Press,
|c 2008.
|
300 |
|
|
|a 1 online resource (ix, 222 pages) :
|b illustrations, music.
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|2 rda
|
490 |
1 |
|
|a Music in Britain, 1600-1900
|
504 |
|
|
|a Includes bibliographical references (pages 196-213) and index.
|
505 |
0 |
|
|a "It is here that we must look for Tallis" : Tallis's music -- "Such a man as Tallis" : Tallis the man -- "This mistake of a barbarous age" : Spem in alium -- "A solid rock of harmony" : the Preces and Responses -- "The Englishman's harmony" : Tallis and national identity.
|
520 |
|
|
|a In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
600 |
1 |
0 |
|a Tallis, Thomas,
|d approximately 1505-1585.
|
600 |
1 |
0 |
|a Tallis, Thomas,
|d approximately 1505-1585
|x Appreciation.
|
600 |
1 |
0 |
|a Tallis, Thomas,
|d approximately 1505-1585.
|t Spem in alium.
|
600 |
1 |
0 |
|a Tallis, Thomas,
|d approximately 1505-1585.
|t Vocal music.
|
600 |
1 |
7 |
|a Tallis, Thomas,
|d approximately 1505-1585.
|2 fast
|0 (OCoLC)fst01850125
|
630 |
0 |
7 |
|a Vocal music (Tallis, Thomas)
|2 fast
|0 (OCoLC)fst01374536
|
650 |
|
0 |
|a Church music
|x Anglican Communion.
|
650 |
|
0 |
|a Church music
|z England
|y 19th century.
|
651 |
|
0 |
|a England
|x Church history
|y 19th century.
|
650 |
|
6 |
|a Musique d'église
|x Communion anglicane.
|
650 |
|
6 |
|a Musique d'église
|z Angleterre
|y 19e siècle.
|
651 |
|
6 |
|a Angleterre
|x Histoire religieuse
|y 19e siècle.
|
650 |
|
7 |
|a MUSIC
|x Religious
|x Christian.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x Religious
|x Contemporary Christian.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Art appreciation.
|2 fast
|0 (OCoLC)fst00815447
|
650 |
|
7 |
|a Church music.
|2 fast
|0 (OCoLC)fst00860809
|
650 |
|
7 |
|a Church music
|x Anglican Communion.
|2 fast
|0 (OCoLC)fst00860811
|
651 |
|
7 |
|a England.
|2 fast
|0 (OCoLC)fst01219920
|
648 |
|
7 |
|a 1800-1899
|2 fast
|
655 |
|
7 |
|a Church history.
|2 fast
|0 (OCoLC)fst01411629
|
776 |
0 |
8 |
|i Print version:
|a Cole, Suzanne, 1962-
|t Thomas Tallis and his music in Victorian England.
|d Woodbridge, UK ; Rochester, NY : Boydell Press, 2008
|z 9781843833802
|w (DLC) 2008276810
|w (OCoLC)220001708
|
830 |
|
0 |
|a Music in Britain, 1600-1900.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81mgs
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37538245
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL1025099
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 322849
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 3376100
|
994 |
|
|
|a 92
|b IZTAP
|