Loading…
Segregating sound : inventing folk and pop music in the age of Jim Crow /
Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.
| Call Number: | Libro Electrónico |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Durham [NC] :
Duke University Press,
2010.
|
| Series: | Refiguring American music.
|
| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Tin Pan Alley on tour : the Southern embrace of commercial music
- Making money making music : the education of Southern musicians in local markets
- Isolating folk, isolating songs : reimagining Southern music as folklore
- Southern musicians and the lure of New York City : representing the South from coon songs
- To the blues
- Talking machine world : discovering local music in the global phonograph industry
- Race records and old-time music : the creation of two marketing categories in the 1920s
- Black folk and hillbilly pop : industry enforcement of the musical color line
- Reimagining pop tunes as folk songs: the ascension of the folkloric paradigm
- Afterword: "All songs is folk songs."