Segregating sound : inventing folk and pop music in the age of Jim Crow /

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Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.

Bibliographic Details
Call Number:Libro Electrónico
Main Author: Miller, Karl Hagstrom, 1968-
Format: Electronic eBook
Language:Inglés
Published: Durham [NC] : Duke University Press, 2010.
Series:Refiguring American music.
Subjects:
Jump Jim Crow
1800-1999
Music and race > Southern States > History > 19th century.
Music and race > Southern States > History > 20th century.
Folk music > Southern States > History > 19th century.
Folk music > Southern States > History > 20th century.
Popular music > Southern States > 19th century.
Popular music > Southern States > 20th century.
African Americans > Segregation.
Musique et race > États-Unis (Sud) > Histoire > 19e siècle.
Musique et race > États-Unis (Sud) > Histoire > 20e siècle.
Musique populaire > États-Unis (Sud) > 19e siècle.
Musique populaire > États-Unis (Sud) > 20e siècle.
Noirs américains > Ségrégation.
MUSIC > Genres & Styles > Pop Vocal.
MUSIC > Genres & Styles > Blues.
African Americans > Segregation
Folk music
Music and race
Popular music
Musik
Folkmuziek.
Segregatie.
Zwarten.
Populaire muziek.
Southern States
USA > Südstaaten
Schwärze
Zuidelijke staten.
History
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