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|b R37 1994
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|a Rapaport, Herman,
|d 1947-
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|a Between the sign & the gaze /
|c Herman Rapaport.
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|a Between the sign and the gaze
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|a Ithaca :
|b Cornell University Press,
|c 1994.
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|a 1 online resource (296 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a data file
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|a Includes bibliographical references and index.
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|a A woman turns into a piece of furniture (Theodor Fontane's Effi Briest); a writer of children's books takes photos of naked little girls (Lewis Carroll); Mont Blanc becomes the maternal breast (Shelley); Hamlet mistakes Ophelia for a phallus (Lacan's Hamlet seminar); and mom turns out to have thermonuclear arms (Laurie Anderson's United States). Reviewing the ways in which women have been fantasized across nineteenth- and twentieth-century Western culture, Herman Rapaport offers a series of brilliant insights into the concept of the fantasm in modern art. This gathering of new and previously published essays centers on a key question in psychoanalytic theory - the primacy of visual (iconic) versus linguistic (auditory) realms in the construction of fantasy. Rapaport first provides a lucid analysis of the historical development of the French psychoanalytic concept of the fantasm - which includes such phenomena as dramas and daydreams, delusions, hallucinations, primal scenes, imaginary objects, fantasies, and complexes. In the chapters that follow, Rapaport considers both visual and linguistic aspects of the fantasm in penetrating interpretations of many well-known works, ranging from poetry to performance art. Engaging such controversies as the conflict between Lacanian and Derridean viewpoints, this book will be essential reading for anyone interested in literary theory, feminist theory, and the intersections of psychoanalysis and philosophy in literary criticism.
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|a pt. I. Appearances of the Fantasm. 1. Theories of the Fantasm. 2. Staging: Mont Blanc. 3. Jane Eyre and the Mot Tabou. 4. Effi Briest and La Chose freudienne. 5. Disarticulations: Between the Sign and the Gaze. 6. Permission Granted, or Beyond the Fantasm -- pt. II. Echoes of the Fantasm. 7. Geoffrey Hartman and the Spell of Sounds. 8. Tonalities of Apocalypse. 9. Durassian Extimacy. 10. "Can You Say Hello?" -- Laurie Anderson's United States.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Psychoanalysis and literature.
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|a Fantasy.
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|a Fantasy
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|a Psychanalyse et littérature.
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|a Fantasmes.
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|a fantasies (visual works)
|2 aat
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|a fantasies (literary works)
|2 aat
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|a SOCIAL SCIENCE
|x Women's Studies.
|2 bisacsh
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|a Fantasy.
|2 fast
|0 (OCoLC)fst00920687
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|a Psychoanalysis and literature.
|2 fast
|0 (OCoLC)fst01081273
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|a Literatursemiotik
|2 gnd
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|a Psychoanalyse
|2 gnd
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|a Psychanalyse et littérature.
|2 ram
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|a Fantasmes.
|2 ram
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|a Fantasy fiction.
|2 fast
|0 (OCoLC)fst01726607
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|a Fantasy fiction.
|2 lcgft
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|i Print version:
|a Rapaport, Herman, 1947-
|t Between the sign & the gaze.
|d Ithaca : Cornell University Press, 1994
|w (DLC) 93025324
|w (OCoLC)28415859
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv2n7mms
|z Texto completo
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