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Laura : uncovering gender and genre in Wyatt, Donne, and Marvell /

How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Estrin, Barbara L., 1942- (Auteur)
Format: Électronique eBook
Langue:Inglés
Publié: Durham [N.C.] : Duke University Press, 1994.
Collection:Post-contemporary interventions.
Sujets:
Accès en ligne:Texto completo
Table des matières:
  • Introduction: gender performance and genre slippage
  • [1.] Petrarch: Inverting the order: Laura as Eve to Petrarch's Adam ; "Like a man who thinks and weeps and writes": Laura as Mercury to Petrarch's Battus
  • [2.] Wyatt: Taking bread: Wyatt's revenge in the lyrics and sustenance in the Psalms ; "Liking this": telling Wyatt's feelings
  • [3.] Donne: Small change: defections from Petrarchan and Spenserian poetics ; Sylvia transformed: returning Donne's gifts ; "A pregnant bank": contracting and abstracting the "you" in Donne's "A valediction of my name in the window" and "Elegy: change"
  • [4.] Marvell: "Busie companies of men": appropriations of female power in "Damon the mower" and "The gallery" ; "Preparing for longer flight": Marvell's nymph and the revenge of silence ; A-mazing and A-musing: after the garden in "Appleton house."