Laura : uncovering gender and genre in Wyatt, Donne, and Marvell /
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored...
Cote: | Libro Electrónico |
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Auteur principal: | |
Format: | Électronique eBook |
Langue: | Inglés |
Publié: |
Durham [N.C.] :
Duke University Press,
1994.
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Collection: | Post-contemporary interventions.
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Sujets: | |
Accès en ligne: | Texto completo |
Table des matières:
- Introduction: gender performance and genre slippage
- [1.] Petrarch: Inverting the order: Laura as Eve to Petrarch's Adam ; "Like a man who thinks and weeps and writes": Laura as Mercury to Petrarch's Battus
- [2.] Wyatt: Taking bread: Wyatt's revenge in the lyrics and sustenance in the Psalms ; "Liking this": telling Wyatt's feelings
- [3.] Donne: Small change: defections from Petrarchan and Spenserian poetics ; Sylvia transformed: returning Donne's gifts ; "A pregnant bank": contracting and abstracting the "you" in Donne's "A valediction of my name in the window" and "Elegy: change"
- [4.] Marvell: "Busie companies of men": appropriations of female power in "Damon the mower" and "The gallery" ; "Preparing for longer flight": Marvell's nymph and the revenge of silence ; A-mazing and A-musing: after the garden in "Appleton house."