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Deleuze and horror film /
The horror film analysed from a Deleuzian perspective. This book argues that dominant psychoanalytic approaches to horror films neglect the aesthetics of horror. Yet cinematic devices such as mise en sc÷ne, editing and sound, are central to the viewer's visceral fear and arousal. Using Deleuz...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2005.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- A Deleuzian slant on horror
- Structure and rationale
- Psychoanalysis and horror
- Schizoanalysis : pure naked intensity
- Schizoanalysis, art, horror
- Psycho as schizo
- The mise-en-scène of madeness : The cabinet of Dr. Caligari
- "Man is not truly one, but truly two" : the schizoid screen in Dr. Jekyll and Mr. Hyde
- "Schizoid misery and glory" : feeling repulsion
- The brain as mise-en-scène : The shining
- Place, time, and motion
- The schizoid maching : imaginary friends
- "Trapped in a world of ghosts" : intensive states in Natural born killers
- Natural born predators
- Becoming-schizo
- Back-projections and other anomalies
- Body-horror, masochism, and film studies
- Becoming anomalous
- Becoming-indeterminate : Cat people
- Becoming-woman
- Sharing species : Alien resurrection
- Ripley and her relatives
- The bodies-without-organs of horror
- Uncontrollable flesh : Videodrome
- Frank pulls himself together : Hellraiser
- Becoming-invisible : The hollow man
- Machinic desire : becoming-human in Demon seed
- Heavy metal meets the soft machine : Hardware
- Freddy Krueger : shape-shifter extraordinaire
- Sensation and perception : the aesthetics of affect
- Bergson's movement-image in Deleuze
- Moving images
- The infinate spirit of evil : the forces of light and darkness in Nosferatu
- Into the black hole
- Forces in combat
- In a glass darkly : lyrical abstraction and molecularity in Vampyr
- Sensory anomalies and intensive space
- Sensational colour : spectral horror
- Death by colour : The masque of the red death
- Dressed to express : colour and costume in The vampire lovers
- Tactisigns of terror : Suspiria
- The face of horror : the intensive affection-image in Les yeux sans visage
- Bergson's time : movement and duration
- Deleuze's time-image
- Time and motion
- Duration and entrapment in the Gothic haunted house : The haunting
- Haunted cinematography and mise-en-scène
- Death by flashback : Jacob's ladder
- Incompossible worlds
- "They're coming out of the walls"
- Back from the black hole : Event horizon
- Inner space in outer space : travels in duration
- "It's alive" : the Event horizon as demonic machine
- Dreaming duration in Mulholland Drive
- Betty's "dream place"
- Diane in duration
- Space-time and dream duration
- Living horror : thoughts on our nerve-endings.