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The documentary film movement : an anthology /
The documentary film movement of the 1930s and 1940s is deemed to lie at the heart of the modern British film culture. This is the first anthology to focus on the period.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
Ã1998.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The documentary film movement : |b an anthology / |c edited and introduced by Ian Aitken. |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c Ã1998. | ||
| 300 | |a 1 online resource (x, 261 pages) : |b portraits | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 253-258) and index. | ||
| 505 | 0 | |a 1. Introduction: John Grierson and the documentary film movement 1989-1972 -- The films of the documentary film movement -- The historical context of the documentary film movement -- Grierson's theory of documentary film -- The critical debates on the documentary film movement -- 2. John Grierson (1898-1972) -- Commentary -- English cinema production and the naturalistic tradition (1927) -- The character of an ultimate synthesis (1922) -- Untitled lecture on documentary (1927-33) -- Drifters (1929) -- First principles of documentary (1932) -- Education and the new order (1941) -- The documentary idea (1942) -- Preface to Paul Rotha's Documentary Film (1952) -- Art and revolution (1966) -- Answers to a Cambridge questionnaire (1967) -- I remember, I remember (1970) -- 3. Paul Rotha (1907-84) -- Commentary -- Afterthought (1972) -- Films and the Labour Party (1936) -- 4. Alberto Cavalcanti (1897-1982) -- Commentary -- Cavalcanti in England (1975) -- The evolution of cinematography in France (1936) -- The British contribution (1952) -- 5. Humphrey Jennings (1907-50) -- Commentary -- Listen to Britain (1942) -- The English (1948) -- Surrealism (1936) -- Introduction to Pandaemonium (c. 1948) -- 6. Basil Wright (1907-87) -- Commentary -- Documentary today (1947) -- Interview with Ian Aitken (1987). | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a The documentary film movement of the 1930s and 1940s is deemed to lie at the heart of the modern British film culture. This is the first anthology to focus on the period. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Documentary films |z Great Britain |x History and criticism. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Documentary films. |2 fast |0 (OCoLC)fst00896079 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 650 | 7 | |a Dokumentarfilm |2 gnd | |
| 651 | 7 | |a Groḃritannien |2 gnd | |
| 650 | 1 | 7 | |a Documentaires. |2 gtt |
| 650 | 1 | 7 | |a Filmregisseurs. |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Aitken, Ian. | |
| 776 | 0 | 8 | |i Print version: |t Documentary film movement. |d Edinburgh : Edinburgh University Press, Ã1998 |w (DLC) 98226148 |w (OCoLC)39865882 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctvxcrh7x |z Texto completo |
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| 938 | |a Internet Archive |b INAR |n documentaryfilmm0000unse | ||
| 994 | |a 92 |b IZTAP | ||