Critical perspectives on classicism in Japanese painting, 1600-1700 /
In the West, classical art-inextricably linked to concerns of a ruling or dominant class-commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past ar...
Clasificación: | Libro Electrónico |
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Otros Autores: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Honolulu :
University of Hawaii Press,
©2004.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Terminology and ideology : coming to terms with the term "classicism" in Japanese art-historical writing / Melanie Trede
- Tawaraya Sōtatsu and the "Yamato-e revival" / Satoko Tamamushi
- The patrons of Tawaraya Sōtatsu and Ogata Kōrin / Keiko Nakamachi
- Japanese exemplars for a new age : Genji paintings from the seventeenth-century Tosa school / Laura W. Allen
- A new "classical" theme : the One hundred poets from elite to popular art in the early Edo period / Joshua S. Mostow
- Classical imagery and Tokugawa patronage : a redefinition in the seventeenth century / Karen M. Gerhart
- Uses of the past : Gion Float paintings as instruments of classicism / Elizabeth Lillehoj
- Afterword / Quitman Eugene Phillips
- Appendix: Artists and schools
- Glossary
- Kanji list.