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|a UAMI
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|a Naggar, Carole,
|d 1951-
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|a George Rodger :
|b an adventure in photography, 1908-1995 /
|c Carole Naggar.
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|a 1st ed.
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|a Syracuse, N.Y. :
|b Syracuse University Press,
|c 2003.
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|a 1 online resource (xiii, 318 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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0 |
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|g 1.
|t Big Boys Don't Cry --
|g 2.
|t The End of Paradise: 1921-26 --
|g 3.
|t Wanderings: 1926-35 --
|g 4.
|t From Studio to Street: The Making of a Professional, 1936-40 --
|g 5.
|t The Desert Campaign: 1940-41 --
|g 6.
|t Taxi to Tehran, a Hammock in the Himalayas: August-December 1941 --
|g 7.
|t Burma Fever: January-June 1942 --
|g 8.
|t A Reluctant Hero: March 1942-July 1943.
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|a "George Rodger's Indiana Jones-style escapades are legendary. During World War II he covered sixty-one countries for Life magazine. He was chased through three hundred miles of Burmese jungle by both the Japanese army and a tribe of headhunters. And he was the first to record the liberation of the Bergen-Belsen concentration camp
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|a He quit war photography when he realized he was arranging "thousands of Jewish corpses in nice photographic compositions." He went on to become a key photographer of African tribal life, covering over 75,000 miles of "old Africa" in a Land Rover and even surviving a white rhino charge."
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|a "In stunning detail Carole Naggar not only recalls Rodger's singular life and artistic contribution but she also provides an in-depth look at the complex dynamics of violence, ethics, and photo-journalism. As such, this book places the legacy of George Rodger within a broader sociohistorical context."--Jacket
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Rodger, George.
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|a Magnum Photos.
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|a Rodger, George
|2 fast
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|a Magnum Photos
|2 fast
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|a Rodger, George.
|2 swd
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|a Photojournalists
|z Great Britain
|v Biography.
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|a Photographes de presse
|z Grande-Bretagne
|v Biographies.
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x General.
|2 bisacsh
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|a LANGUAGE ARTS & DISCIPLINES
|x Journalism.
|2 bisacsh
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|a PHOTOGRAPHY
|x Individual Photographers
|x General.
|2 bisacsh
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|a Photojournalists
|2 fast
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|a Great Britain
|2 fast
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|a Biographies
|2 fast
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|i Print version:
|a Naggar, Carole, 1951-
|t George Rodger.
|b 1st ed.
|d Syracuse, N.Y. : Syracuse University Press, 2003
|w (DLC) 2003012602
|w (OCoLC)52381178
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1j5dfht
|z Texto completo
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|b ASKH
|n AH35865532
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|a EBSCOhost
|b EBSC
|n 714427
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938 |
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis27628310
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|b YANK
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