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|a Madell, Geoffrey.
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|a Philosophy, music, and emotion /
|c Geoffrey Madell.
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|a Edinburgh :
|b Edinburgh University Press,
|c ©2002.
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|a 1 online resource (vii, 162 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references (pages 158-160) and index.
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|a Introduction -- -- Chapter 1: Contour and convention -- Contour -- Convention -- Do we 'animate' musical gestures? -- -- Chapter 2: Musics's arousal of emotion -- Why Hanslick is wrong -- Music's arousal of emotion -- -- Chapter 4: The advantages of the new arousalist position -- Conclusion -- -- Chapter 5: Emotion, judgement and desire -- Why the standard judgementalist view of emotion is untenable -- Desire and intentional feeling -- Why not all reason-providing desire have an affective dimension -- What is the exact role of intentional feeling? -- -- Chapter 6: Pleasure and emotion -- The threat of Hedonism -- Hedonistic pleasure and our experience of music pleasure as a mode of attention -- A resolution of the conflicting positions -- The analysis of pleasure and music's expression of emotion -- The indispensability of the notion of intentinal feeling -- Reason-following desire, and taking pleasure in what has objective value -- -- Chapter 7: The nature of emotion -- The relation between the affective and the intentional components of emotion -- The nature of emotion and music's expression of emotion -- -- Chapter 8: Music's expression of emotion -- Emotions in musical and in non-musical contexts -- Hanslick Again -- Are there any emotions that music cannot express? -- Some remaining difficulties -- -- Chapter 9: Retrospect.
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|3 Use copy
|f Restrictions unspecified
|2 star
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|c 2010
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|a Print version record.
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|a Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it means to say that music 'expresses emotion'.
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|a English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Music
|x Philosophy and aesthetics.
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|a Emotions in music.
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|a Emotions (Philosophy)
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|a Musique
|x Philosophie et esthétique.
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|a Émotions (Philosophie)
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|a PHILOSOPHY
|x General.
|2 bisacsh
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|a Emotions (Philosophy)
|2 fast
|0 (OCoLC)fst00908855
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|a Emotions in music.
|2 fast
|0 (OCoLC)fst01737434
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|a Music
|x Philosophy and aesthetics.
|2 fast
|0 (OCoLC)fst01030408
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|a Musikphilosophie
|2 gnd
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|a Musik
|2 gnd
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|a Gefühlsausdruck
|2 gnd
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|a Emoties.
|2 gtt
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|a Muziek.
|2 gtt
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|a Filosofische aspecten.
|2 gtt
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|i Print version:
|a Madell, Geoffrey.
|t Philosophy, music, and emotion.
|d Edinburgh : Edinburgh University Press, ©2002
|w (DLC) 2002483834
|w (OCoLC)49352265
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctvxcrnb5
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