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|a OCLCE
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|a 1132224046
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|a 9781501729607
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|a 1501729608
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|z 0801432758
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|a BH301.T77
|b R36 1997
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|a ART
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|a Rapaport, Herman,
|d 1947-
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|a Is there truth in art? /
|c Herman Rapaport.
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|a Ithaca :
|b Cornell University Press,
|c 1997.
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|a 1 online resource (xvii, 221 pages) :
|b illustrations
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|a text
|b txt
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|a Includes bibliographical references and index.
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|a Is there truth in art? -- Anton von Webern's "Two Rilke Songs," Op. 8 -- Brushed path, slate line, stone circle -- Forces of gravity -- The radiant suspensions of Julien Gracq and Maurice Blanchot -- Beyond essence: Marguerite Duras's Aurelia Stiner cycle -- Of the eye and the law.
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
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|a Print version record.
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|a The question posed by Herman Rapaport, in the title of this book, is intended both seriously and ironically. It is not Rapaport's purpose to debate whether or not truth resides in art. The title points rather to his belief that truth needs to be reconceptualized in the light of continuing efforts to deconstruct and to discredit the notion of truthfulness in art. The question of art's truthfulness persists because truth in art is neither an entity or content that has been injected into the work, nor a transcendental concept or ground that exists outside it. Moreover, when used in relation to art, Rapaport says, truth means something quite different from conventional definitions of the term. Indeed, a central question that informs the book is the return of truth at the far side of its deconstruction. Is There Truth in Art? includes chapters on atonal music, environmental art, modern German and French poetry, contemporary French fiction, experimental French film, and a photograph taken by the National Socialists during the destruction of the Warsaw ghetto. Determining how truth can be said to occur in these examples, Rapaport maintains, requires analysis in each instance. He draws chiefly upon the thinkers who have radically reformulated questions about truth-Nietzsche, Heidegger, Derrida, and Levinas-and uses their writings to explore the works under analysis.
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|b Books at JSTOR Evidence Based Acquisitions
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|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Truth (Aesthetics)
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|a Truth.
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|a Vérité (Esthétique)
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|a Vérité.
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|a truth.
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|a ART
|x Criticism & Theory.
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|a Truth.
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|0 (OCoLC)fst01158235
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|a Truth (Aesthetics)
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|a Ästhetik
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|a Kunst
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|a Philosophie
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|a Wahrheit
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|a Kunst.
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|a Waarheid.
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|a Vérité dans l'art.
|2 ram
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|i Print version:
|a Rapaport, Herman, 1947-
|t Is there truth in art?.
|d Ithaca : Cornell University Press, 1997
|w (DLC) 96028088
|w (OCoLC)35055545
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv5rf0pb
|z Texto completo
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|a Internet Archive
|b INAR
|n istheretruthinar0000rapa
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|a Project MUSE
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