Nothing happens : Chantal Akerman's hyperrealist everyday /
Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce,...
Call Number: | Libro Electrónico |
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Main Author: | |
Format: | Electronic eBook |
Language: | Inglés |
Published: |
Durham :
Duke University Press,
©1996.
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Subjects: | |
Online Access: | Texto completo |
Table of Contents:
- Chantal Akerman's Films: The Politics of the Singular
- 1. Nothing Happens: Time for the Everyday in Postwar Realist Cinema
- 2. Toward a Corporeal Cinema: Theatricality in the '70s
- 3. The Equivalence of Events: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles
- 4. Expanding the "I" Character in Experimental Feminist Narrative
- 5. "HER" and Jeanne Dielman Type as Commerce
- 6. Forms of Address Epistolary Performance, Monologue, and Bla Bla Bla
- 7. The Rhythm of Cliche: Akerman into the '90s
- To Conclude: It Is Time.