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Kafka's narrative theater.

Can one speak of Kafka's heroes as ";characters";? If so, why is it so hard to define their characteristics? If not, how is the reader persuaded to accompany them on their existential journeys, accepting their behavior as falling within the realm of human logic? This study argues that...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rolleston, James, 1939-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: University Park, Pennsylvania State University Press [1974]
Colección:Penn State series in German literature.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Kafka's narrative theater. 
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504 |a Includes bibliographical references (pages 161-165). 
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546 |a English. 
505 0 0 |t Frontmatter --  |t Contents --  |t Acknowledgments --  |t Introduction --  |t 1 "Description of a Struggle" --  |t 2 Open Structure: "The Stoker" --  |t 3 "The Urban World": The Experience of the Theater --  |t 4 "The Judgment" --  |t 5 "The Metamorphosis" --  |t 6 Closed Structure: The Trial --  |t 7 Closed Structure: "In the Penal Colony" --  |t 8 The Functional and the Arbitrary: "The Village Schoolteacher" and "The Great Wall of China" --  |t 9 Reopened Structure: The Castle --  |t 10 Historical Structure: "Josefine the Singer, or the Mouse Folk --  |t 11 The Making of Kafka's Heroes --  |t Notes --  |t Sources Consulted --  |t Index of Kafka's Works and Characters --  |t Index of Names 
520 |a Can one speak of Kafka's heroes as ";characters";? If so, why is it so hard to define their characteristics? If not, how is the reader persuaded to accompany them on their existential journeys, accepting their behavior as falling within the realm of human logic? This study argues that Kafka's fiction has two conflicting premises: the subjective impossibility of human existence, foreclosing all hope of ";meaning"; in individual actions; and the ordered structure of human thoughts which assign meaning to the smallest event and analyze endlessly the behavior of other people. Kafka's characters are always, either potentially or actually, moving in both directions at once, earnestly building up a continuous logic to their actions while skeptically dismantling their own pretensions to existence. The device of the circumscribed narrator, congruent with the hero, knowing only what the hero knows, yet not identical with him, enables Kafka to contain both fundamental tendencies in a single sentence.Although Kafka is widely read, his works seem to give rise very easily to misconceptions; this study is designed primarily to facilitate an intelligent reading of Kafka. Without imposing answers of its own, it seeks to foster an awareness of the problems of perspective and presentation which Kafka engages. 
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