|
|
|
|
LEADER |
00000cam a2200000 4500 |
001 |
JSTOR_ocn577790111 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr bn||||||abp |
007 |
cr bn||||||ada |
008 |
100326s1954 mnuc ob 000 0 eng d |
040 |
|
|
|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d N$T
|d E7B
|d MERUC
|d IDEBK
|d JSTOR
|d DKDLA
|d OCLCF
|d P@U
|d OCLCQ
|d LOA
|d MOR
|d PIFAG
|d OCLCQ
|d IOG
|d EZ9
|d INARC
|d WRM
|d AU@
|d LVT
|d AZK
|d COCUF
|d U3W
|d STF
|d VT2
|d OCLCQ
|d OCLCO
|d OCLCA
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|
015 |
|
|
|a GB5416774
|2 bnb
|
019 |
|
|
|a 233552584
|a 646750251
|a 648150967
|a 655421139
|a 961692713
|a 966106455
|a 988463673
|a 992090613
|a 1028721393
|a 1037697868
|a 1038624932
|a 1045480870
|a 1055358876
|a 1058985347
|a 1081229098
|
020 |
|
|
|a 9780816663934
|q (electronic bk.)
|
020 |
|
|
|a 0816663939
|q (electronic bk.)
|
020 |
|
|
|a 0816658463
|
020 |
|
|
|a 9780816658466
|
020 |
|
|
|a 0816600988
|
020 |
|
|
|a 9780816600984
|
020 |
|
|
|z 9780816600984
|
029 |
1 |
|
|a AU@
|b 000056805491
|
029 |
1 |
|
|a GBVCP
|b 1003617727
|
029 |
1 |
|
|a NZ1
|b 15321384
|
035 |
|
|
|a (OCoLC)577790111
|z (OCoLC)233552584
|z (OCoLC)646750251
|z (OCoLC)648150967
|z (OCoLC)655421139
|z (OCoLC)961692713
|z (OCoLC)966106455
|z (OCoLC)988463673
|z (OCoLC)992090613
|z (OCoLC)1028721393
|z (OCoLC)1037697868
|z (OCoLC)1038624932
|z (OCoLC)1045480870
|z (OCoLC)1055358876
|z (OCoLC)1058985347
|z (OCoLC)1081229098
|
037 |
|
|
|a 22573/cttbmrnt
|b JSTOR
|
042 |
|
|
|a dlr
|
050 |
|
4 |
|a PQ6555.Z5P3
|
072 |
|
7 |
|a LIT004280
|2 bisacsh
|
082 |
0 |
4 |
|a 863.5
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Pattison, Walter T.
|q (Walter Thomas),
|d 1903-1992.
|
245 |
1 |
0 |
|a Benito Peréz Galdós and the creative process.
|
260 |
|
|
|a Minneapolis,
|b University of Minnesota Press
|c [1954]
|
300 |
|
|
|a 1 online resource (ix, 146 pages)
|b portraits
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references.
|
506 |
|
|
|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
|
|
|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
538 |
|
|
|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
|
|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a INTRODUCTION; FORMATIVE PERIOD: FOREIGN INFLUENCES; THE GENESIS OF GLORIA; THE CREATION OF MARIANELA; CONCLUSION; INDEX.
|
520 |
|
|
|a Most critics would rank Benito Perez Galdos second only to Cervantes among the great novelists of Spain. However, in spite of the esteem in which he is generally held, Galdos has been the subject of relatively few scholarly studies. Professor Pattison, by.
|
546 |
|
|
|a English.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
600 |
1 |
0 |
|a Pérez Galdós, Benito,
|d 1843-1920.
|
600 |
1 |
7 |
|a Pérez Galdós, Benito,
|d 1843-1920
|2 fast
|
650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x Spanish & Portuguese.
|2 bisacsh
|
776 |
0 |
8 |
|i Print version:
|a Pattison, Walter Thomas, 1903-
|t Benito Peréz Galdós and the creative process.
|d Minneapolis, University of Minnesota Press [1954]
|w (DLC) 54010291
|w (OCoLC)2657263
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.5749/j.ctttt5bv
|z Texto completo
|
938 |
|
|
|a ebrary
|b EBRY
|n ebr10231199
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 224918
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis26259381
|
938 |
|
|
|a Internet Archive
|b INAR
|n benitoperezgaldo00patt_0
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse38859
|
994 |
|
|
|a 92
|b IZTAP
|