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Policing pop /
Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In the United States, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the wor...
| Call Number: | Libro Electrónico |
|---|---|
| Other Authors: | , |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Philadelphia :
Temple University Press,
2003.
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| Series: | Sound matters.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Call that censorship? : problems of definition / Martin Cloonan
- I want my MP3 : who owns internet music? / Reebee Garofalo
- Twenty years of music censorship around the world / Vanessa Bastian and Dave Laing
- Remote control : legal censorship of the creative process / Steve Greenfield and Guy Osborn
- Death Metal and the limits of musical expression / Keith Kahn-Harris
- Marxists in the marketplace / Mike Jones
- Argh Fuck Kill-- Canadian hardcore goes on trial : the case of the Dayglo Abortions / Rob Bowman
- Strelnikoff : censorship in contemporary Slovenia / David Parvo
- Music in the struggle to end apartheid : South Africa / Michael Drewett
- Confusing Confucius : rock in contemporary China / Jeroen de Kloet
- German Nazi bands : between provocation and repression / Alenka Barber-Kersovan
- Popular music and policing in Brazil / José Roberto Zan
- Challenging music as expression in the United States / Paul D. Fischer.