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090509s2003 paua ob 000 0 eng d |
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|a 320051617
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|a 9781439901380
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|a 1439901384
|q (electronic bk.)
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|a 9781566399890
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|a 1566399890
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|z 1566399890
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|q alk. paper)
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|z 1566399904
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|a DEBSZ
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|a 22573/ctt1442cmz
|b JSTOR
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|a ML3918.P67
|b P65 2003eb
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|a SOC
|x 002010
|2 bisacsh
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|a POL
|x 038000
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|a 306.4/842
|2 22
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|a 24.65
|2 bcl
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|a UAMI
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|a Policing pop /
|c edited by Martin Cloonan and Reebee Garofalo.
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|a Philadelphia :
|b Temple University Press,
|c 2003.
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|a 1 online resource (x, 241 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a Sound matters
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|a Includes bibliographical references.
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|t Call that censorship? : problems of definition /
|r Martin Cloonan --
|t I want my MP3 : who owns internet music? /
|r Reebee Garofalo --
|t Twenty years of music censorship around the world /
|r Vanessa Bastian and Dave Laing --
|t Remote control : legal censorship of the creative process /
|r Steve Greenfield and Guy Osborn --
|t Death Metal and the limits of musical expression /
|r Keith Kahn-Harris --
|t Marxists in the marketplace /
|r Mike Jones --
|t Argh Fuck Kill-- Canadian hardcore goes on trial : the case of the Dayglo Abortions /
|r Rob Bowman --
|t Strelnikoff : censorship in contemporary Slovenia /
|r David Parvo --
|t Music in the struggle to end apartheid : South Africa /
|r Michael Drewett --
|t Confusing Confucius : rock in contemporary China /
|r Jeroen de Kloet --
|t German Nazi bands : between provocation and repression /
|r Alenka Barber-Kersovan --
|t Popular music and policing in Brazil /
|r José Roberto Zan --
|t Challenging music as expression in the United States /
|r Paul D. Fischer.
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|a Print version record.
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|a Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In the United States, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the world, some group identifies popular music as a source of potential danger and wants to regulate it. Policing Pop looks into the many ways in which popular music and artists around the world are subjected to censorship, ranging from state control and repression to the efforts of special interest or religiou.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Popular music
|x Censorship.
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|a Popular music
|x Social aspects.
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|a Popular music
|x Political aspects.
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|a Musique populaire
|x Censure.
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|a Musique populaire
|x Aspect social.
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|a Musique populaire
|x Aspect politique.
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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|a MUSIC
|x General.
|2 bisacsh
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|a Popular music
|x Censorship
|2 fast
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|a Popular music
|x Political aspects
|2 fast
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|a Popular music
|x Social aspects
|2 fast
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|a Populaire muziek.
|2 gtt
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|a Censuur.
|2 gtt
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|a Politieke aspecten.
|2 gtt
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1 |
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|a Cloonan, Martin,
|e editor.
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|a Garofalo, Reebee,
|e editor.
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776 |
0 |
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|i Print version:
|t Policing pop.
|d Philadelphia : Temple University Press, ©2003
|z 1566399890
|z 9781566399890
|w (DLC) 2002020419
|w (OCoLC)49699241
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830 |
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|a Sound matters.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt14bsz5b
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH36467188
|
938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL432863
|
938 |
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|a EBSCOhost
|b EBSC
|n 270842
|
938 |
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|a Internet Archive
|b INAR
|n policingpop0000unse
|
938 |
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|a Project MUSE
|b MUSE
|n muse15385
|
938 |
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|a YBP Library Services
|b YANK
|n 3001281
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994 |
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|a 92
|b IZTAP
|