The philosophy of the Coen brothers /

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Many critics agree that Joel and Ethan Coen are one of the most visionary and idiosyncratic filmmaking teams of the last three decades. Combining thoughtful eccentricity, wry humor, irony, and often brutal violence, the Coen brothers have crafted a style of filmmaking that pays tribute to classic Am...

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Bibliographic Details
Call Number:Libro Electrónico
Other Authors: Conard, Mark T., 1965- (Editor)
Format: Electronic eBook
Language:Inglés
Published: Lexington : University Press of Kentucky, ©2009.
Series:Philosophy of popular culture.
Subjects:
Coen, Joel > Criticism and interpretation.
Coen, Ethan > Criticism and interpretation.
Coen, Ethan
Coen, Joel
PERFORMING ARTS > Film & Video > Direction & Production.
PHILOSOPHY > General.
Criticism, interpretation, etc.
Online Access:Texto completo
Table of Contents:
  • Cover Page; Title Page; Copyright Page; Contents; Acknowledgments; Introduction; Part
  • 1: The Coen Brand of Comedy and Tragedy; Part
  • 2: Ethics: Shame, Justice, and Virtue; Part
  • 3: Postmodernity, Interpretation, and the Construction of History; Part
  • 4: Existentialism, Alienation, and Despair; List of Contributors; Index.
  • Raising Arizona as an American comedy / Richard Gilmore
  • The human comedy perpetuates itself : nihilism and comedy in Coen neo-noir / Thomas S. Hibbs
  • Philosophies of comedy in O brother, where art thou? / Douglas McFarland
  • No country for old men : the Coens' tragic western / Richard Gilmore
  • Deceit, desire, and dark comedy : postmodern dead ends in Blood simple / Alan Woolfolk
  • "And it's such a beautiful day!" : shame and Fargo / Rebecca Hanrahan and David Stearns
  • Justice, power, and love : the political philosophy of Intolerable cruelty / Shai Biderman and William J. Devlin
  • Ethics, heart, and violence in Miller's Crossing / Bradley L. Herling
  • "Takin' 'er easy for all us sinners" : laziness as a virtue in The big Lebowski / Matthew K. Douglass and Jerry L. Walls
  • No country for old men as moral philosophy / Douglas McFarland
  • Heidegger and the problem of interpretation in Barton Fink / Mark T. Conard
  • The past is now : history and The Hudsucker proxy / Paul Coughlin
  • "A homespun murder story" : film noir and the problem of modernity in Fargo / Jerold J. Abrams
  • "What kind of man are you?" : the Coen brothers and existentialist role playing / Richard Gaughran
  • Being the barber : Kierkegaardian despair in The man who wasn't there / Karen D. Hoffman
  • Thinking beyond the failed community : Blood simple and The man who wasn't there / R. Barton Palmer.

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