The musical work : reality or invention? /

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Like literature and art, music has?works?. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke E...

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Bibliographic Details
Call Number:Libro Electrónico
Other Authors: Talbot, Michael, 1943- (Editor)
Format: Electronic eBook
Language:Inglés
Published: Liverpool : Liverpool University Press, 2000.
Series:Liverpool Music Symposium (Series) ; 1.
Subjects:
Music > Philosophy and aesthetics.
Musique > Philosophie et esthétique.
MUSIC > Reference.
MUSIC > Genres & Styles > Classical.
Music > Philosophy and aesthetics
Muziekwerken.
Popmuziek.
Esthetica.
Sociale aspecten.
proceedings (reports)
Conference papers and proceedings
Congressen (vorm)
Conference papers and proceedings.
Actes de congrès.
Online Access:Texto completo
Table of Contents:
  • Some thoughts on the work in popular music / David Horn
  • Intertextuality and hypertextuality in recorded popular music / Serge Lacasse
  • Work-in-(g) practice : configuration of the popular music intertext / Richard Middleton
  • Works and recordings : the impact of commercialism and digitalisation / Catherine Moore
  • The practice of early-nineteenth-century pianism / Jim Samson
  • Looking back at ourselves : the problem with the musical work-concept / Reinhard Strohm
  • 'The Work' : an evaluative charge / Philip Tagg
  • The work-concept and composer-centredness / Michael Talbot
  • The musical artwork and its materials in the music and aesthetics of Busoni / John Williamson
  • Re-composing Schubert / James Wishart
  • 'On the problems of dating' or 'Looking backward and forward with Strohm' / Lydia Goehr.

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