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The new poet : novelty and tradition in Spenser's Complaints /

This gracefully written and well thought-out study deals with a neglected collection of poems by Spenser, which was issued in 1591 at the height of his career. While there has been a good deal written in recent years on two of the poems in the collection,?Mother Hubberd?s Tale? and?Muiopotmos?, Brow...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brown, Richard Danson (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Liverpool : Liverpool University Press, ©1999.
Colección:Liverpool English texts and studies ; 31.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The new poet :  |b novelty and tradition in Spenser's Complaints /  |c Richard Danson Brown. 
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490 1 |a Liverpool English texts and studies ;  |v [31] 
504 |a Includes bibliographical references (pages 275-288) and index. 
588 0 |a Print version record. 
505 0 |a Title Page; Contents; Acknowledgements; Preface; Abbreviations; Introduction: 'Subject unto chaunge': Spenser's Complaints and the New Poetry; Part One: The Translations; 1: 'Clowdie teares': Poetic and Doctrinal Tensions in Virgils Gnat; 2: Forming the 'first garland of free Poësie' in France and England, 1558-91; Part Two: The Major Complaints; 3: The Major Complaints; 4: Poetry's 'liuing tongue' in The Teares of the Muses; 5: Cracking the Nut? Mother Hubberds Tale's Attack on Traditional Notions of Poetic Value; 6: 'Excellent device and wondrous slight': Muiopotmos and Complaints' Poetics. 
520 |a This gracefully written and well thought-out study deals with a neglected collection of poems by Spenser, which was issued in 1591 at the height of his career. While there has been a good deal written in recent years on two of the poems in the collection,?Mother Hubberd?s Tale? and?Muiopotmos?, Brown innovatively addresses the collection in its entirety. He urges us to see it as a planned whole with a consistent design on the reader: he fully acknowledges, and even brings out further, the heterogeneity of the collection, but he examines it nevertheless as a sustained reflection on the nature. 
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