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The hypersexuality of race : performing Asian/American women on screen and scene /

In The Hypersexuality of Race, Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeani...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Shimizu, Celine Parreñas
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2007.
Colección:e-Duke books scholarly collection.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Shimizu, Celine Parreñas. 
245 1 4 |a The hypersexuality of race :  |b performing Asian/American women on screen and scene /  |c Celine Parreñas Shimizu. 
260 |a Durham :  |b Duke University Press,  |c 2007. 
300 |a 1 online resource (xii, 339 pages) :  |b illustrations 
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504 |a Includes bibliographical references (pages 301-324) and index. 
505 0 |a The hypersexuality of Asian/American women : toward a politically productive perversity on screen and scene -- The bind of representation : performing and consuming hypersexuality in Miss Saigon -- The sexual bonds of racial stardom : Asian American femme fatales in Hollywood -- Racial threat or racial treat? Performing yellowface sex acts in stag films, 1920/34 -- Queens of anal, double, triple, and the gangbang : producing Asian/American -- Feminism in pornography, 1940s/1990s -- "Little brown fucking machines powered by rice" or sex tourists with movie -- Cameras and prostitutes without movie cameras : politicizing the bottom in Southeast Asian sex tourist movies -- The political power of hypersexuality in Asian American feminist films -- New horizons in race-positive sexuality. 
588 0 |a Print version record. 
520 |a In The Hypersexuality of Race, Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. Arguing for a more nuanced approach to the mysterious mix of pleasure, pain, and power in performances of sexuality, she advances a theory of "productive perversity," a theory which allows Asian/American women-and by extension other women of color-to lay claim to their own 
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650 0 |a Women in motion pictures. 
650 0 |a Asian American women in motion pictures. 
650 0 |a Erotic films  |x History and criticism. 
650 6 |a Asiatiques au cinéma. 
650 6 |a Femmes au cinéma. 
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650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
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650 7 |a Asians in motion pictures.  |2 fast  |0 (OCoLC)fst00818721 
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