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Engraving the savage : the New World and techniques of civilization /
In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gau...
| Cote: | Libro Electrónico |
|---|---|
| Auteur principal: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Minneapolis :
University of Minnesota Press,
©2008.
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| Sujets: | |
| Accès en ligne: | Texto completo |
MARC
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| 100 | 1 | |a Gaudio, Michael. | |
| 245 | 1 | 0 | |a Engraving the savage : |b the New World and techniques of civilization / |c Michael Gaudio. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2008. | ||
| 300 | |a 1 online resource (xxv, 207 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 167-199) and index. | ||
| 505 | 0 | 0 | |t Introduction: White pebbles in the dark forest -- |t Savage marks: the scriptive techniques of early modern ethnography -- |t Making sense of smoke: engraving and ornament in de Bry's America -- |t Flatness and protuberance: reforming the image in Protestant print culture -- |t The art of scratch: wood engraving and picture-writing in the 1880s. |
| 588 | 0 | |a Print version record. | |
| 520 | |a In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Indians in art. | |
| 651 | 0 | |a America |x Discovery and exploration |x Historiography. | |
| 650 | 0 | |a Difference (Philosophy) in art. | |
| 650 | 0 | |a Art |x Reproduction. | |
| 650 | 0 | |a Prints |x Technique. | |
| 650 | 6 | |a Peuples autochtones dans l'art. | |
| 650 | 6 | |a Différence (Philosophie) dans l'art. | |
| 650 | 6 | |a Art |x Reproduction. | |
| 650 | 6 | |a Estampe |x Technique. | |
| 650 | 7 | |a copies (derivative objects) |2 aat | |
| 650 | 7 | |a printmaking. |2 aat | |
| 650 | 7 | |a ART |x Subjects & Themes |x Portraits. |2 bisacsh | |
| 650 | 7 | |a ART |x Subjects & Themes |x Human Figure. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Art |x Reproduction |2 fast | |
| 650 | 7 | |a Difference (Philosophy) in art |2 fast | |
| 650 | 7 | |a Indians in art |2 fast | |
| 650 | 7 | |a Prints |x Technique |2 fast | |
| 651 | 7 | |a America |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Gaudio, Michael. |t Engraving the savage. |d Minneapolis : University of Minnesota Press, ©2008 |z 9780816648467 |w (DLC) 2007031468 |w (OCoLC)164570487 |
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