Cargando…
Phonographies : grooves in sonic Afro-modernity /
Phonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2005.
|
| Colección: | Duke backfile
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn220950419 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr mn||||||||| | ||
| 008 | 080407t20052005ncu ob 001 0 eng d | ||
| 040 | |a NDD |b eng |e rda |e pn |c NDD |d YDXCP |d OCLCA |d OCLCQ |d REDDC |d OCLCQ |d E7B |d N$T |d COO |d OCLCE |d OCLCO |d MHW |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d CUS |d OCLCO |d MERUC |d IOG |d OCLCF |d YDX |d OSU |d BRX |d AU@ |d OCLCQ |d SFB |d LUN |d OCLCO |d OCLCQ |d OCLCO |d RDF |d P@U |d JSTOR |d OCLCO |d OCL |d OCLCQ |d OCLCA |d OCLCQ | ||
| 019 | |a 735118487 |a 841913973 |a 1055303107 |a 1125525772 |a 1140818742 |a 1144222520 |a 1170611983 |a 1171384522 | ||
| 020 | |a 9780822386933 |q (electronic bk.) | ||
| 020 | |a 0822386933 |q (electronic bk.) | ||
| 020 | |z 9780822335771 |q (cloth ; |q alk. paper) | ||
| 020 | |z 0822335778 |q (cloth ; |q alk. paper) | ||
| 020 | |z 9780822335900 |q (paperback ; |q alk. paper) | ||
| 020 | |z 0822335905 |q (paperback ; |q alk. paper) | ||
| 029 | 1 | |a AU@ |b 000055621244 | |
| 029 | 1 | |a AU@ |b 000067299741 | |
| 035 | |a (OCoLC)220950419 |z (OCoLC)735118487 |z (OCoLC)841913973 |z (OCoLC)1055303107 |z (OCoLC)1125525772 |z (OCoLC)1140818742 |z (OCoLC)1144222520 |z (OCoLC)1170611983 |z (OCoLC)1171384522 | ||
| 037 | |a 22573/ctv123zstn |b JSTOR | ||
| 042 | |a dlr | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a ML3916 |b .W46 2005 | |
| 072 | 7 | |a MUS |x 029000 |2 bisacsh | |
| 082 | 0 | 4 | |a 781.64/089/96073 |2 22 |
| 084 | |a LS 48050 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 049 | |a UAMI | ||
| 100 | 1 | |a Weheliye, Alexander G., |d 1968- |e author. | |
| 245 | 1 | 0 | |a Phonographies : |b grooves in sonic Afro-modernity / |c Alexander G. Weheliye. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2005. | |
| 264 | 4 | |c ©2005 | |
| 300 | |a 1 online resource (xii, 286 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Duke backfile | |
| 520 | |a Phonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye contends that the interplay between sound technologies and black music and speech enabled the emergence of modern black culture, of what he terms "sonic Afro-modernity." He shows that by separating music and speech from their human sources, sound-recording technologies beginning with the phonograph generated new modes of thinking, being, and becoming. Black artists used these new possibilities to revamp key notions of modernity--among these, ideas of subjectivity, temporality, and community. Phonographies is a powerful argument that sound technologies are integral to black culture, which is, in turn, fundamental to Western modernity. Weheliye surveys literature, film, and music to focus on engagements with recorded sound. He offers substantial new readings of canonical texts by W.E.B. Du Bois and Ralph Ellison, establishing dialogues between these writers and popular music and film ranging from Louis Armstrong's voice to DJ mixing techniques to Darnell Martin's 1994 movie I Like It Like That. Looking at how questions of diasporic belonging are articulated in contemporary black musical practices, Weheliye analyzes three contemporary Afro-diasporic musical acts: the Haitian and African American rap group the Fugees, the Afro- and Italian-German rap collective Advanced Chemistry, and black British artist Tricky and his partner Martina. Phonographies imagines the African diaspora as a virtual sounding space, one that is marked, in the twentieth century and twenty-first, by the circulation of culture via technological reproductions--records and tapes, dubbing and mixing, and more | ||
| 504 | |a Includes bibliographical references (pages 257-278) and index. | ||
| 505 | 0 | |a Intro : It's beginning to feel like -- Hearing sonic Afro-modernity -- "I am I be" : a subject of sonic Afro-modernity -- In the mix -- Consuming sonic technologies -- Sounding diasporic citizenship. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2011. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2011 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Popular music |x Social aspects |x History |y 20th century. | |
| 650 | 0 | |a Sound |x Recording and reproducing |x Social aspects. | |
| 650 | 0 | |a Black people |x Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a African Americans |x Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music and literature |x History |y 20th century. | |
| 650 | 6 | |a Musique populaire |x Aspect social |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Son |x Enregistrement et reproduction |x Aspect social. | |
| 650 | 6 | |a Personnes noires |x Musique |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Noirs américains |x Musique |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique et littérature |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Noirs américains |v Musique |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a African Americans. |2 fast |0 (OCoLC)fst00799558 | |
| 650 | 7 | |a Black people |x Music. |2 fast |0 (OCoLC)fst00833971 | |
| 650 | 7 | |a Music and literature. |2 fast |0 (OCoLC)fst01030479 | |
| 650 | 7 | |a Popular music |x Social aspects. |2 fast |0 (OCoLC)fst01071460 | |
| 650 | 7 | |a Afroamerikanische Musik |2 gnd | |
| 651 | 7 | |a USA. |2 swd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 773 | 0 | |t Duke backfile. | |
| 776 | 0 | 8 | |i Print version: |a Weheliye, Alexander G., 1968- |t Phonographies. |d Durham : Duke University Press, 2005 |w (DLC) 2004028461 |w (OCoLC)57208301 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv125jh4w |z Texto completo |
| 938 | |a ebrary |b EBRY |n ebr10215111 | ||
| 938 | |a EBSCOhost |b EBSC |n 599134 | ||
| 938 | |a Project MUSE |b MUSE |n muse80462 | ||
| 938 | |a YBP Library Services |b YANK |n 2956850 | ||
| 994 | |a 92 |b IZTAP | ||