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Performance in America : contemporary U.S. culture and the performing arts /
Performance in America demonstrates the vital importance of the performing arts to contemporary U.S. culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2005
|
| Colección: | Perverse modernities.
E-Duke books scholarly collection. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Román, David, |d 1959- |e author. | |
| 245 | 1 | 0 | |a Performance in America : |b contemporary U.S. culture and the performing arts / |c David Roman |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2005 | |
| 264 | 4 | |c ©2005 | |
| 300 | |a 1 online resource (xx, 353 pages) : |b illustrations | ||
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| 490 | 1 | |a Perverse modernities | |
| 520 | |a Performance in America demonstrates the vital importance of the performing arts to contemporary U.S. culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are marginal art forms in the United States. He describes the crucial role that the performing arts play in local, regional, and national communities, emphasizing the power of live performance, particularly its immediacy and capacity to create a dialogue between artists and audiences. Román draws attention to the ways that the performing arts provide unique perspectives on many of the most pressing concerns within American studies: questions about history and politics, citizenship and society, and culture and nation. The performances that Román analyzes range from localized community-based arts events to full-scale Broadway productions and from the controversial works of established artists such as Tony Kushner to those of emerging artists. Román considers dances produced by the choreographers Bill T. Jones and Neil Greenberg in the mid-1990s as new aids treatments became available and the aids crisis was reconfigured; a production of the Asian American playwright Chay Yew's A Beautiful Country in a high-school auditorium in Los Angeles's Chinatown; and Latino performer John Leguizamo's one-man Broadway show Freak. He examines the revival of theatrical legacies by female impersonators and the resurgence of cabaret in New York City. Román also looks at how the performing arts have responded to 9/11, the U.S. invasion of Afghanistan, and the second war in Iraq. Including more than eighty illustrations, Performance in America highlights the dynamic relationships among performance, history, and contemporary culture through which the past is revisited and the future reimagined | ||
| 504 | |a Includes bibliographical references (pages 333-342) and index | ||
| 505 | 0 | |a Not about AIDS -- Visa denied: Chay Yew's theater of immigration and the performance of Asian American history -- Latino genealogies-Broadway and beyond: the case of John Leguizamo -- Archival drag, or the afterlife of performance -- Cabaret as cultural history: popular song and public performance in America -- Tragedy and the performing arts in the wake of September 11, 2001 -- Afterword: The time of your life | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 520 | |a Argues for the centrality of theater and performance in the American national imaginary. | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 650 | 0 | |a Performing arts |x Social aspects |z United States. | |
| 650 | 6 | |a Arts du spectacle |x Aspect social |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Gay Studies. |2 bisacsh | |
| 650 | 7 | |a Performing arts |x Social aspects. |2 fast |0 (OCoLC)fst01057933 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Tanz |2 gnd | |
| 650 | 7 | |a Theater |2 gnd | |
| 651 | 7 | |a USA. |2 swd | |
| 776 | 0 | 8 | |i Print version: |a Román, David, 1959- |t Performance in America. |d Durham : Duke University Press, 2005 |w (DLC) 2005012086 |w (OCoLC)59881763 |
| 830 | 0 | |a Perverse modernities. | |
| 830 | 0 | |a E-Duke books scholarly collection. | |
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