The court reconvenes : courtly literature across the disciplines : selected papers from the Ninth Triennial Congress of the International Courtly Literature Society, University of British Columbia, 25-31 July, 1998 /

Five plenary papers suggest the broad range of approaches and disciplines involved in the study of courtly literature and touch on six different linguistic and literary traditions. Shorter papers, in four languages, are organized into groupings by methodology or subject matter: Ideologies of Love an...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: International Courtly Literature Society. Congress
Otros Autores: Altmann, Barbara K., 1957-, Carroll, Carleton W.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, UK ; Rochester, N.Y. : D.S. Brewer, 2003.
Temas:
Literature, Medieval > History and criticism > Congresses.
Courtly love in literature > Congresses.
Kings and rulers in literature > Congresses.
Littérature médiévale > Histoire et critique > Congrès.
Amour courtois dans la littérature > Congrès.
Rois et souverains dans la littérature > Congrès.
TRAVEL > Special Interest > Literary.
LITERARY CRITICISM > General.
LITERARY CRITICISM > Medieval.
Courtly love in literature.
Kings and rulers in literature.
Literature, Medieval.
Conference papers and proceedings.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • PREFACE; I. THE COURT RECONVENES: PLENARY LECTURES; La réception de la littérature courtoise du XIIe au XIVe siècle en Italie: nouvelles propositions; Literary Uses of Heraldry in the Twelfth and Thirteenth Centuries; The Figure of the King in Medieval German Courtly Literature; Women, Property and the Rise of Courtly Love; Knowledge as Therapy: A Comparison between the Confessio Amantisof Gower and the Breviari d'Amor of Matfre Ermengaud; II. COURTLY LITERATURE ACROSS THE DISCIPLINES: IDEOLOGIES OF LOVE AND COURTLINESS; Felony and Courtly Love.
  • La Chanson des Nibelungen, un monde sans Dieu?"Dieus et amors sont d'un acort": The Theology of Love in the Lai de l'Oiselet; Didactic Strategies in the Ritterspiegel of Johannes Rothe; Lacan, Courtly Love and Anamorphosis; WOMEN'S VOICES, WOMEN'S ROLES; Songs by Women and Women's Songs: How Useful is the Concept of Register?; Complaints of Women, Complaints by Women: Can One Tell Them Apart?; Implications of the Female Poetic Voice in Le Roman de Flamenca; Female enfances: At the Intersection of Romance and Epic; INCEST AND IDENTITY; Questions on the Theme of Incest in Courtly Literature.
  • Incest and Death in Marie de France's Deus AmanzIncest and Identity: Family Relationships in Emaré; POETICS; Approche de la notion de contexte en ancien français; Tracking the Anagram: Preparing a Phonetic Blueprint of Troubadour Poetry; Variations sur l'espace dans le lai du Chaitivel; Perceval's Inner Wanderings: Growing out of Childhood in Chrétien; To Love or Not to Love; HISTORICAL APPROACHES; Prefigurations of Courtliness in the Bayeux Tapestry; Did John of Earley Write the Histoire de Guillaume le Maréchal?; The Loyal and Disloyal Servants of King John.
  • The Ins and Outs of Court: Guiraut Riquier's Poetics of OstracismEleonora d'Este and the Heroines of Boiardo's Orlando innamorato: Challenging Gender Stereotypes at the Ferrara Court; ADAPTATIONS AND TRANSFORMATIONS; "E fer en cortoisie retorner li villan": Roland in Persia in the Entrée d'Espagne; Les songes animaliers dans le Lancelot en prose: du serpent, du lion et duléopard; Bisclavret to Biclarel via Melion and Bisclaret: The Development of a Misogynous Lai; Embodying the Rose: An Intertextual Reading of Alain Chartier's La BelleDame sans mercy.
  • La Sombra de Petrarca en la Poesía Cancioneril"Höfische Minne" auf der Meistersängerbühne: Zur Dramatisierunghöfischer Liebesromane durch Hans Sachs; APRÉS-PROPOS; ELASTIC: A RECENTLY DISCOVERED THIRTEENTH LAICOMPOSED BY MARIE DE FRANCE*

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