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|a The Yale critics :
|b deconstruction in America /
|c Jonathan Arac, Wlad Godzich, Wallace Martin, editors.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©1983.
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|a 1 online resource (xxxvii, 222 pages)
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|a Theory and history of literature ;
|v v. 6
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Key to Brief Titles; Preface; Introduction; PART I; Variations on Authority: Some Deconstructive Transformations of the New Criticism; The Domestication of Derrida; PART II; Aesthetic Criticism: Geoffrey Hartman; J. Hillis Miller: The Other Victorian at Yale; Error in Paul de Man; The Genius of Irony: Nietzsche in Bloom; PART III; History, Theory, and Influence: Yale Critics as Readers of Maurice Blanchot; Joining the Text: From Heidegger to Derrida; Afterword; Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.
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|a A heated debate has been raging in North America in recent years over the form and function of literature. At the center of the fray is a group of critics teaching at Yale University - Harold Bloom, Geoffrey Hartman, Paul de Man, and J. Hillis Miller - whose work can be described in relation to the deconstructive philosophy practiced by French philosopher Jacques Derrida. For over a decade the Yale Critics have aroused controversy; most often they are considered as a group, to be applauded or attacked, rather than as individuals whose ideas merit critical scrutiny. Here a new generation of scholars attempts for the first time a serious, broad assessment of the Yale group. These essays appraise the Yale Critics by exploring their roots, their individual careers, and the issues they introduce. Wallace Martin's introduction offers a brilliant, compact account of the Yale Critics and of their relation to deconstruction and the deconstruction to two characteristically Anglo-American enterprises; Paul Bove explores the new criticism and Wlad Godzich the reception of Derrida in America. Next come essays giving individual attention to each of the critics: Michael Sprinker on Hartman, Donald Pease on Miller, Stanley Corngold on de Man, and Daniel O'Hara on Bloom. Two essays then illuminate "deconstruction in America" through a return to modern continental philosophy: Donald Marshall on Maurice Blanchot, and Rodolphe Gasche on Martin Heidegger. Finally, Jonathan Arac's afterword brings the volume together and projects a future beyond the Yale Critics. Throughout, the contributors aim to provide a balanced view of a subject that has most often been treated polemically. While useful as an introduction, The Yale Critics also engages in a serious critical reflection on the uses of the humanities in American today
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|a English.
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|a Deconstruction.
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|a Criticism
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|a Déconstruction.
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|a Deconstructivist.
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|a LITERARY CRITICISM
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|a Arac, Jonathan,
|d 1945-
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|a Godzich, Wlad.
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|a Martin, Wallace.
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|i Print version:
|t Yale critics.
|d Minneapolis : University of Minnesota Press, ©1983
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|a Theory and history of literature ;
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