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080125s1990 ncu ob 001 0 eng d |
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|a 1097308877
|a 1172194946
|a 1173190929
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|a 9780822382836
|q (electronic bk.)
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|a 0822382830
|q (electronic bk.)
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|a 9780822310396
|q (alk. paper)
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|a 0822310392
|q (alk. paper)
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|a (OCoLC)191222364
|z (OCoLC)1097308877
|z (OCoLC)1172194946
|z (OCoLC)1173190929
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|a 22573/ctv11spkkf
|b JSTOR
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|a e-uk-en
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|a PR2983
|b .M56 1990
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|a UAMI
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|a Mooney, Michael E.,
|d 1947-
|e author.
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|a Shakespeare's dramatic transactions /
|c Michael E. Mooney.
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|a Durham :
|b Duke University Press,
|c 1990.
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|a 1 online resource (xiv, 226 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
|b cr
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|a Includes bibliographical references (pages 193-216) and index.
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|a Integrating Actor and Audience -- Language, Staging, and ''Affect'': Figurenposition in Richard III -- Engagement and Detachment in Richard II -- Representation and Privileged Knowledge in Hamlet -- Location and Idiom in Othello -- Multiconsciousness in King Lear -- Voice and Multiple Awareness in Macbeth -- Directing Sympathy in Antony and Cleopatra.
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|a Print version record.
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|a Shakespeare's Dramatic Transactions uses conventions of performance criticism-staging and theatrical presentation-to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of "mimesis" and "representation," this book describes how the actor's stage presentation affects the actor's representational role and the ways in which viewers experience Shakespearean tragedy. Michael Mooney draws on the work of East German critic R
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Shakespeare, William,
|d 1564-1616
|x Tragedies.
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|a Shakespeare, William,
|d 1564-1616
|x Dramatic production.
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|a Shakespeare, William,
|d 1564-1616.
|2 fast
|0 (OCoLC)fst00029048
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|a Shakespeare, William.
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|a Theater audiences
|z England
|x History
|y 16th century.
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|a Theater audiences
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|x History
|y 17th century.
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|a Théâtre
|x Publics
|z Angleterre
|x Histoire
|y 16e siècle.
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|a Théâtre
|x Publics
|z Angleterre
|x Histoire
|y 17e siècle.
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|a DRAMA
|x Shakespeare.
|2 bisacsh
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|a LITERARY CRITICISM
|x Shakespeare.
|2 bisacsh
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|a Criticism and interpretation.
|2 fast
|0 (OCoLC)fst01198648
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|a Theater.
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|a Theater audiences.
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|a England.
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|a Aufführung
|2 gnd
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|a Dramaturgie
|2 gnd
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|a Drama
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|a 1500-1699
|2 fast
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Mooney, Michael E., 1947-
|t Shakespeare's dramatic transactions.
|d Durham : Duke University Press, 1990
|z 0822310392
|w (DLC) 90002770
|w (OCoLC)20993727
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|a E-Duke books scholarly collection.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11sn7zv
|z Texto completo
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
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|a Internet Archive
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