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|a Brown, David,
|d 1965-
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|a Noise orders :
|b jazz, improvisation, and architecture /
|c David P. Brown.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2006.
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|a 1 online resource (xxxii, 159 pages) :
|b illustrations, music
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|a Includes bibliographical references (pages 133-151) and index.
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|a Compositional imperatives: Mondrian and boogie-woogie -- What is the body supposed to be doing? John Cage and Rahsaan Roland Kirk -- Now's the time: temporalities of Louis Armstrong and Le Corbusier -- Function, flexibility, and improvisation: the AACM and Mies Van Der Rohe -- Diagrams, conduction, and the contemporary city.
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|a Print version record.
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|a In Noise Orders, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture can be strongly influenced by jazz improvisation. Comparing artists and architects with individuals and groups in jazz-including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk-Brown examines how jazz can provide insight on how to develop dynamic metropolitan environments.
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|a JSTOR
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|a Music and architecture.
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|a Jazz
|x Analysis, appreciation.
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|a Improvisation (Music)
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|a Musique et architecture.
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|a Improvisation (Musique)
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|a MUSIC
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|a ARCHITECTURE
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|a Improvisation (Music)
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|a Jazz
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|a Music and architecture.
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|i Print version:
|a Brown, David, 1965-
|t Noise orders.
|d Minneapolis : University of Minnesota Press, ©2006
|z 0816643504
|z 9780816643509
|w (DLC) 2006006191
|w (OCoLC)62344313
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|u https://jstor.uam.elogim.com/stable/10.5749/j.ctttv04g
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