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Repeating ourselves : American minimal music as cultural practice /

Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ours...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Fink, Robert Wallace, 1961- (Author)
Format: Electronic eBook
Language:Inglés
Published: Berkeley : University of California Press, ©2005.
Subjects:
Online Access:Texto completo
Description
Summary:Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education
Physical Description:1 online resource (xvi, 280 pages) : illustrations
Bibliography:Includes bibliographical references and index.
ISBN:9780520938946
0520938941
1423727584
9781423727583
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0520240367
9780520245501
0520245504
1598757857
9781598757859
1282358170
9781282358171
9786612358173
6612358173