Cargando…
What women watched : daytime television in the 1950s /
In this pathfinding book, based on original archival research, Marsha F. Cassidy offers the first thorough analysis of daytime television's earliest and most significant women's genres, appraising from a feminist perspective what women watched before soap opera rose to prominence. After pr...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
©2005.
|
| Edición: | First edition. |
| Colección: | Louann Atkins Temple women & culture series ;
bk. 10. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ia 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocm61491775 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 050913s2005 txua ob s001 0 eng d | ||
| 010 | |z 2004019568 | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCLCQ |d YDXCP |d OCLCG |d OCLCQ |d OCLCO |d OCLCQ |d OCLCE |d E7B |d JSTOR |d OCLCF |d P@U |d OCLCQ |d CUS |d EBLCP |d OCLCQ |d YDX |d MERUC |d HTC |d OCLCQ |d IOG |d OCLCQ |d KCP |d INARC |d OCLCO |d OCLCQ |d OCLCO | ||
| 015 | |a GBA525186 |2 bnb | ||
| 016 | 7 | |a 013147105 |2 Uk | |
| 019 | |a 300870461 |a 607586152 |a 956625089 |a 1058549579 |a 1126056670 |a 1151782467 | ||
| 020 | |a 0292796943 |q (electronic bk.) | ||
| 020 | |a 9780292796942 |q (electronic bk.) | ||
| 020 | |z 029270626X |q (cloth ; |q alk. paper) | ||
| 020 | |z 9780292706262 |q (cloth ; |q alk. paper) | ||
| 020 | |z 0292706278 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 9780292706279 |q (pbk. ; |q alk. paper) | ||
| 029 | 1 | |a AU@ |b 000056728001 | |
| 035 | |a (OCoLC)61491775 |z (OCoLC)300870461 |z (OCoLC)607586152 |z (OCoLC)956625089 |z (OCoLC)1058549579 |z (OCoLC)1126056670 |z (OCoLC)1151782467 | ||
| 037 | |a 22573/ctt8w2t4 |b JSTOR | ||
| 042 | |a dlr | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a PN1992.8.W65 |b C37 2005eb | |
| 072 | 7 | |a PER |x 010040 |2 bisacsh | |
| 072 | 7 | |a PER010030 |2 bisacsh | |
| 072 | 7 | |a SOC028000 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.45/6 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Cassidy, Marsha Francis, |d 1946- |e author. | |
| 245 | 1 | 0 | |a What women watched : |b daytime television in the 1950s / |c Marsha F. Cassidy. |
| 250 | |a First edition. | ||
| 260 | |a Austin : |b University of Texas Press, |c ©2005. | ||
| 300 | |a 1 online resource (x, 264 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Louann Atkins Temple women & culture series ; |v bk. 10 | |
| 504 | |a Includes bibliographical references (pages 251-258) and index. | ||
| 505 | 0 | |a ntroduction: Daytime Television in the Era of the Feminine Mystique, 1948\-1960 -- The Dawn of Daytime: Reaching Out to Women across America -- Kate Smith: Remembering the Future -- The Charm Boys Woo the Audience: Garry Moore, Arthur Godfrey, and Art Linkletter -- Misery Loves Company: Strike It Rich, Glamour Girl, and the Critics -- Domesticity in Doubt: Arlene Francis and Home -- Matinee Theater and the Question of Soap Opera -- At a Loss for Words: Queen for a Day, It Could Be You, Who Do You Trust?, and The Big Payoff -- Conclusion: Visions of Femininity. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a In this pathfinding book, based on original archival research, Marsha F. Cassidy offers the first thorough analysis of daytime television's earliest and most significant women's genres, appraising from a feminist perspective what women watched before soap opera rose to prominence. After providing a comprehensive history of the early days of women's programming across the nation, Cassidy offers a critical discussion of the formats, programs, and celebrities that launched daytime TV in America--Kate Smith's variety show and the famed singer's unsuccessful transition from patriotic radio star to 1950s TV idol the "charm boys" Garry Moore, Arthur Godfrey, and Art Linkletter, whose programs honored women's participation but in the process established the dominance of male hosts on TV and the "misery shows" Strike It Rich and Glamour Girl and the controversy, both critical and legal, they stirred up. Cassidy then turns to NBC's Home show, starring the urbane Arlene Francis, who infused the homemaking format with Manhattan sophistication, and the ambitious daily anthology drama Matinee Theater, which strove to differentiate itself from soap opera and become a national theater of the air. She concludes with an analysis of four popular audience participation shows of the era--the runaway hit Queen for a Day Ralph Edwards's daytime show of surprises, It Could Be You Who Do You Trust?, starring a youthful Johnny Carson and The Big Payoff, featuring Bess Myerson, the country's first Jewish Miss America. Cassidy's close feminist reading of these shows clearly demonstrates how daytime TV mirrored the cultural pressures, inconsistencies, and ambiguities of the postwar era. --Publisher. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Women's television programs |z United States |x History. | |
| 650 | 0 | |a Television and women |z United States |x History. | |
| 650 | 6 | |a Télévision |x Émissions féminines |z États-Unis |x Histoire. | |
| 650 | 6 | |a Télévision et femmes |z États-Unis |x Histoire. | |
| 650 | 6 | |a Émissions féminines télévisées |z États-Unis |x Histoire. | |
| 650 | 7 | |a PERFORMING ARTS |x Television |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Television |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Television and women |2 fast | |
| 650 | 7 | |a Women's television programs |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 650 | 7 | |a Frauenfernsehen |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cassidy, Marsha Francis, 1946- |t What women watched. |b 1st ed. |d Austin : University of Texas Press, ©2005 |z 029270626X |z 0292706278 |w (DLC) 2004019568 |w (OCoLC)56329732 |
| 830 | 0 | |a Louann Atkins Temple women & culture series ; |v bk. 10. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/706262 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL3571684 | ||
| 938 | |a ebrary |b EBRY |n ebr10188337 | ||
| 938 | |a EBSCOhost |b EBSC |n 137786 | ||
| 938 | |a Project MUSE |b MUSE |n muse2109 | ||
| 938 | |a YBP Library Services |b YANK |n 2291440 | ||
| 938 | |a Internet Archive |b INAR |n whatwomenwatched0000cass | ||
| 994 | |a 92 |b IZTAP | ||