Popular cinema of the Third Reich /

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Hake, Sabine, 1956-
Format: Électronique eBook
Langue:Inglés
Publié: Austin, TX : University of Texas Press, 2001.
Édition:1st ed.
Sujets:
National socialism and motion pictures.
Motion pictures > Germany > History.
Nazisme et cinéma.
Cinéma > Allemagne > Histoire.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > General.
Motion pictures
National socialism and motion pictures
Germany
History
Accès en ligne:Texto completo
Table des matières:
  • PREFACE
  • 1. POPULAR CINEMA, NATIONAL CINEMA, NAZI CINEMA: A DEFINITION OF TERMS
  • 2. MADE IN 1933: GERMAN-JEWISH FILMMAKERS AND THE FORCED COORDINATION OF THE INDUSTRY
  • 3. CINEMA, SET DESIGN, AND THE DOMESTICATION OF MODERNISM
  • 4. AT THE MOVIES: FILM AUDIENCES AND THE PROBLEM OF SPECTATORSHIP
  • 5. STARS: HEINZ RÜHMANN AND THE PERFORMANCE OF THE ORDINARY
  • 6. DETLEF SIERCK AND Schlußakkord (FINAL CHORD, 1936): A CASE STUDY OF FILM AUTHORSHIP
  • 7. THE FOREIGN AND THE FAMILIAR: ON GERMAN-AMERICAN FILM RELATIONS, 1933-1940.
  • 8. THE ANNEXATION OF AN IMAGINARY CITY: THE TOPOS "VIENNA" AND THE WIEN-FILM AG
  • 9. THE POWER OF THOUGHT: REDEFINING POPULAR CINEMA BETWEEN REALISM AND ILLUSIONISM
  • 10. A QUESTION OF REPRESENTATION: WORKING WOMEN AND WARTIME CINEMA
  • 11. THE LEGACIES OF THE PAST IN THE CINEMA OF POSTWAR RECONSTRUCTION
  • NOTES
  • 1. POPULAR CINEMA, NATIONAL CINEMA, NAZI CINEMA: A DEFINITION OF TERMS
  • 2. MADE IN 1933: GERMAN-JEWISH FILMMAKERS AND THE FORCED COORDINATION OF THE INDUSTRY
  • 3. CINEMA, SET DESIGN, AND THE DOMESTICATION OF MODERNISM.
  • 4. AT THE MOVIES: FILM AUDIENCES AND THE PROBLEM OF SPECTATORSHIP
  • 5. STARS: HEINZ RÜHMANN AND THE PERFORMANCE OF THE ORDINARY
  • 6. DETLEF SIERCK AND SCHLUßAKKORD (FINAL CHORD, 1936): A CASE STUDY OF FILM AUTHORSHIP
  • 7. THE FOREIGN AND THE FAMILIAR: ON GERMANAMERICAN FILM RELATIONS, 1933-1940
  • 8. THE ANNEXATION OF AN IMAGINARY CITY: THE TOPOS "VIENNA" AND THE WIEN-FILM AG
  • 9. THE POWER OF THOUGHT: REDEFINING POPULAR CINEMA BETWEEN REALISM AND ILLUSIONISM
  • 10. A QUESTION OF REPRESENTATION: WORKING WOMEN AND WARTIME CINEMA.
  • 11. THE LEGACIES OF THE PAST IN THE CINEMA OF POSTWAR RECONSTRUCTION
  • SELECT BIBLIOGRAPHY
  • INDEX OF GERMAN TITLES AND NAMES.

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